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cw180(cw188和188b)

2023-06-02 12:50:09装修报价1

cw180

CW这个是国产砂纸的粒度:180cw表示180粒度。

  

cw188和188b

1.把马桶的水箱盖板打开。

2.找到马桶内部的排水阀并观察马桶排水阀的组成和结构。

3.把马桶的进水开关关闭,把马桶水箱里的水排尽,用扳手拧开排水管接头。

4.把马桶的排水阀的上部的螺丝旋转松动,排水阀就能彻底拆解。

以上内容仅供参考

cw18fc

CW指CW电视台 CW电视台(The CW Television Network)是美国的一家电视公共网,开播于2006年9月18日,由哥伦比亚广播公司(CBS)及华纳兄弟(Warnar Bro.)共同出资。

cw188cb

正确调整的冰箱温度控制器,以减少耗电、 冰箱温度控制旋钮上都分别标有数字,它代表着对冰箱内温度的控制范围。 所标的数字越大则控制温度越高。 不同季节温控器的指示范围为:夏季2~3;春秋季3~4;冬季4~5,当室温低于10°C时,温控器应拨到"6"的位置. 7为速冻、使用后会不停机、不建议使用! (使用完成后需要调回) 谢谢啊

cw188 cw988

行楷又称“汉字行楷手写体字形”,是偏重于楷书书写笔法,比楷书行笔自由,又比行草规正的行书字体。是汉字在楷书基础上简约书写笔画、增强书写映带、表现书写意趣的实用性字体。行楷最大的优势在于实用性极强,书写速度快、易识易学。

行楷特点

行笔轻盈

书写楷书,运笔稳实、缓慢,笔画讲究工整、挺健。书写行楷,运笔轻松、便捷,线条追求流畅、明快。

点画灵动

书写楷书,笔画造型完整,点画之间呼应关系含蓄。书写行楷,点画活泼,连带显露,点、钩、挑等动感笔画明显增多。

字形多变

楷书的字形平正端庄,通篇整齐均匀,相映如一。行楷字的字形变化多姿,通篇大小相间,正敧相错,同一个字可以有多种写法。

硬笔行楷

姿势

坐姿

推荐的坐姿:头正、肩平、臂开、足安;眼离纸一尺高,手离笔尖一寸长,胸离桌子拳头,推荐坐姿如下图。

握姿

推荐的握姿:拇指、食指捏住笔,中指抵住笔杆底;余下两指紧相依,指离笔尖一寸余;五指配合齐用力,不松不紧最适宜,推荐握姿如下图。

工具

选笔

1、钢笔

钢笔的地位在硬笔练字中处于不可撼动的地位,较强表现力可以反映出毛笔的效果。关于练习钢笔的选择,我们可以遵从以下原则:

(1)不使用美工笔。美工笔不利于稳定练习;

(2)不使用写起来不适的钢笔。比如出现堵笔、洇墨、摩阻过大等问题;

(3)不使用过贵的钢笔。在成本练字的过程相对耗笔,尽量做到成本控制,贵的笔对练字本身没有太实质性的帮助。

中性笔

中性笔有稳定、表现力强、便宜、便捷、书写舒适等优点,是一种相对完美的笔。不止在此次行楷练习试验中,日常生活中,大多数人更愿意使用0.5中性笔。

中性笔的挑选可以遵从如下原则:

(1)书写流度。笔触顺骨,笔画饱满,墨色均匀;

(2)握笔舒适度。长时间书写不会有过于明显累手、压迫感;

(3)墨干燥速度。书写时不会被谱黑就行。

3、其他笔

除了钢笔和中性笔,其他笔类都可以进行练字。种类繁多,最为常见的有铅笔,圆珠笔等。不一定局限于某种笔。

字帖

分类

字帖大体可分为三类:(1)笔画结构详解类(2)集字类(3)语录文章类。初学者可以购入三类字帖分别一本,有一定基础者可以购入后两类字帖各一本,基础扎实者可购最后一类字帖。行楷定型试验于2019年6月10日启动,2019年10月24日初步定型,所用字帖为荆霄鹏的《实用行楷字帖》(图1)、《林徽因语录行楷》(图2)。《实用行楷字帖》属于集字类,《林徽因语录行楷》属于语录文章类。

图1

图2

推荐字帖

当代有大量优秀行楷字帖,比如吴玉生、田英章、钱沛云等人的行(楷)字帖。

昊玉生的行楷字站:《怎样写好写快规范字》《公务员汉字书写5500字》、《古文观止》、《硬笔行书红楼梦诗词》等。

田英章的行(楷)字帖:《钢笔行书实用技法字帖》、《漂亮字的快写技巧(行书)》、《现代汉语常用3500字(行书)》等。

钱沛云的行(楷)字帖:《钱沛云硬笔书法技巧》《钱市云教你写好硬笔行书》等。

对于字站的选择需要根据自己的喜好,但是也要避雷。

选择字帖三不选:不选折凹槽类字帖;不选手写体类字帖;不选大幅度描红类字帖。

练习纸种类繁多,常见的有回宫格、米字格、田字格、空白格、横线格、竖线格等等,练习纸的选择也需依据自己的基础,初学尽量选择辅助线多的回宫格、米字格等,随着阶段的变化,练习纸也应该有所改变以减少辅助,达到科学练习的目的。按时间顺序,不止使用了米字格纸、田字格纸、空白格纸、横线纸、竖线纸、白纸。

重点:从脱离米字格到白纸,练字整个过程都贯穿着田字格纸的巩固练习,不属于完全转换状态。

另外,有以下几个点可以注意:

(1)当没有问题的笔墨写在纸上产生洇墨、阻力大等类问题,建议换纸。

(2)不要使用线格过小的纸,选择写起来有种自然舒适状态的纸。

(3)不要刻意追求“好”纸,硬笔行楷的练习对纸的要求较低。

练字内容

从欣赏一幅书法作品的角度,至少会从章法、结构、笔画(划)三方面进行解读,这三方面即是要练字的内容。

章法

章法是安排布置整幅作品中,字与字、行与行之间呼应、照顾等关系的方法,它着重于字与字之间、行与行之间的协调。章法包含着字形大小、字距远近、字态正奇、黑白分布、落款铃印等,利用这些手段可以使众多单字在特定的风格下形成一种和谐稳定美观又不失趣味的作品。

结构

结构是字内各笔画长短、粗细、疏密、布局等。汉字从结构上分有独体字与合体字两大类。从结构形式看,合体字分为七种,即上下结构、上中下结构、左右结构、左中右结构、半包围结构、全包围结构和品字形结构,巧妙地组织笔画让笔画布局合理,传达的视觉效果越好。

笔画(划)

永字反映出了“点、横、竖、撇、捺、提、折、钩”八个基本笔画。笔尖与纸面接触的痕迹,反映出笔画力度、角度、粗细、曲直等。笔画作为练字的起点,是最基础也是最核心的,务必加倍重视。

练字方式

临摹字帖是当下练字最有效的途径,但是部分人在临摹之前往往忽略了一个前提:读帖。将练字方法分解为三个部分:读帖、摹写、临写。

读帖

读帖需要分析字帖范字的笔画、结构、章法。读帖是一个发挥主观能动性的过程,初步练习时应更多的注重笔画的长短、粗细、徐疾、轻重,笔画之间的俯仰、向背、离合、呼应,字的大小、方圆、高矮、宽窄等等。仔细领会字帖的点画形质、间架结构、气韵神采,才能下笔准确。对同一字帖而言,应从其点画开始,观察其起笔、行笔、收笔如何完成以及同一类笔画之间的细小差别等,再到观察毎个字的间架结构、位置布局和章法,最后则是体味字站的气韵神采、风格特点,为准确地临写做好准备。对不同字帖而言,就比如不止选择的两本字帖,往往起到一个相辅相成的作用,为了解一个字体作好充分的准备。经过观察,不止使用的行楷字帖,不像古帖变化较多,容易学习,方便掌握。

摹写

市面上流通的大多数摹写字帖采用透明度较高的硫酸纸覆盖在字帖上,按照影子描写(或者猫红)。当你开始使用摹写时前也要详细的读帖,做到心中有数。摹写过程中,尽量与原帖的用笔一致,单字书写一气呵成,不可存在먹笔填笔等问题。摹写有利有弊,不止认为摹写存在降低主观能动性的嫌疑,故整个练字试验过程都没有使用摹写。

临写

临写根据要求的不同可分为对临、背临和意临。

1、对临

可将字帖置于视角左侧或前端,便于准确观察。随着练字形式的多样化,对临时关于字帖的摆放只要适用于自己即可,可通过裁剪字帖放大观察范围,不必拘泥形式。基于读帖,写完后再将自己写的与字帖仔细对照分析,找到不足做出标记,再次临写,循环练习直到与字帖的字高度相以。临写时不可看一笔写一笔。

2、背临

在读帖,摹写,对临这些过程中,应当有所思索、有所比较、有所记忆,将字帖熟记于心,合帖临写,通过背临这种方式来检验自己是否熟练,这种方式就好比背语文课文,作为一种检查手段的同时,也是在巩固字体的练习,以形成记忆模式,达到一种出笔即像的境界。有部分练习者对照字帖能写得很好,一旦离开字站,不管是字形还是结构都降了层次,这就是因为没有使用好背临这一招。学习一个字体最后目的就是要将帖上字化为已用,想要到达这一目的,背临是必经的过程。背临还有两种形式:空背临和心背临。由于这两种方式不存在使用工具、时间、环境等的要求,完全可以利用碎片时间进行练习与巩固。空背临可用手指、木棍等工具在空中、地上或身上,通过记忆比照字帖写。心背临即在心里描摹字帖,在脑中再现每一笔每一画,这种方式适合睡觉前时用。

3、意临

在临写时注入了自己的主观意识,意临是由临摹过渡到创作的必经之路。诸多初学者存在一个问题:练字时喜欢掺杂自己的意识,这是一种正常的现象,但是也是要趁早正视解决的问题,到达意临这个阶段才开始融入主观思维,切不可过早掺入。意临可从为两种,第一种是在原帖字体风格的基础上,使用自己的笔法或结体特征来表现;第二种是在自己字体风格的基础上,使用原站的笔法和结体特征来适应自己的“意”。

注意事项

三种练字方法的合理利用才能在练字过程取得一个不错的效率,需要我们注意如下几点:

1、多临少摹

不止在为期四个多月的练习期间不采用摹写是因为降低了主观能动性。将摹写与临写进行有机结合,以临写为主、摹写为辅的方式取长补短,未必不是一种好的方法。

2、循序渐进

一般而言,从摹写到临写,各项练习方法应当有效穿插,相互作为辅助关系。

3、先专后博

比如不止选择的两本字帖,先《实用行楷字帖》,后《林数因语录行楷》,两本字帖虽然都是荆香鹏的字,但有差别。先打好基础,解决好笔画结构,再进入长篇幅的练习。同时也可以找书家其他字帖,进行广泛吸收。

4、点面结合

在练习前期,笔画与结构的练习往往是结合在一起。由于诸多现代字帖制作是由字体库生成,相同的字没有变化,极有利于练习(也有弊端,不够灵动)。练习中后期,笔画、结构、章法相互穿插练习,可以进行通临,形成面到点,点到面的良性循环。

5、讲究实效

练字不是抄字,做事要做有用功,每一笔、每一字都需要精益求精,不求数量求质量。当今生活节奏过快,部分人练习时总想急于求成,练字不是一朝一夕的事,讲究效率的同时也要注重坚持。

行楷技巧

连写笔画

写行楷书,往往将相邻的笔画连写,以方便书写。

引用草书

为增强行书的流动笔意,注重牵丝连带,调节行气,也可以把人们比较熟悉的草字直接串写在行楷书中。

简化字形

行楷书书写时,由于连写笔画,可以适当减少笔画数、简化了字形,使书写更加便捷。

改变笔顺

行楷书为了连写方便,有一些字改变了楷书的笔画顺序。总体上要保证美感,章法布局上要讲究错落有致,空间布白。

略带斜势

行楷书在书写时,为行笔连带方便,横可以大幅度上斜,字形略带斜势,自成新的体势。

大小相间

行楷书在排行书写时,字形大小,随其自然,大小相间,使行气更加流畅自然。

章法布局排列

字的大小讲究有大有小,错落有致,相得益彰,这样能够使整体更加美观大方。

规律技巧

左短右长

是指左部偏旁较右部要短、而且小。书写时,左部要写小、并略靠上一些,为右部写宽长一些留出位置。这类字的右部往往有撇画向左部的下方伸展,要恰到好处,不能伸的太长。比如:听、作、观等。

左高右低

点竖对正

指在一个字中,有上下两个中竖者,两个中竖应当垂直对正。竖能对正,则字身不倒。在许多字中,中竖决定字的重心,安放位置对与错就决定了这个字的好坏。

左斜右正

凡左右结构者,以左斜右正者居多,左斜为呼,右正为应,有呼无应,字势必殇,有应无呼,无源之水,均不能立,呼者以斜而取势,应者以平而安神,呈左动而右稳,书呼疾而应迟。

左宽右窄

撇捺不相连

上展下收

横长撇短

上紧下松

书写要点

行楷入门,以吴玉生行楷字为例。

常用字“大”字虽然笔画简单,但并不好写,眼睛一看就会,但是写出来总觉得姿态别扭。

为了方便记忆,下面我把“大”字书写要点归结为“3直1弯”。

①横画要直,用中横,要果断,粗壮有力,不宜带弧度;

②竖撇竖要直;

③捺画前半段要直;

④竖撇跨过横画之后,急转弯,弧度非常大。

毛笔行楷

姿势

坐姿

写毛笔字以坐姿为主。一则练二三寸大楷字无须站立,坐着写就行了;二则坐着省力又利于凝神聚气,注意力容易集中。主张写二三寸大楷模也要用立姿的主要原因是为了练习悬肘,其实坐着写也照样可以用悬肘法,关键是方法要正确。正确的坐姿应该是头正、身直、臂开、足安”(见图下)。

头正:指书写时头要摆正,不可偏侧。

身直:指身体要平正、坐直,两肩齐平,当然直立不是要昂首挺胸,而应该肩背放松,自然下沉,身子略向前倾,胸口与桌面保持一多的间隔,切忌弯腰驼背,甚至将下巴枕靠在左手背上。

臂开:指手臂要往前伸开些,同时两臂的肘关节也要向左右撑开,两边基本匀称。

足安:是指两只脚自然地平稳着地,两腿左右略微分开,其位置与肩宽基本相等,肌肉放松。

站姿

站着写毛笔字身子可略往前倾,头部正直稍微有些下俯,左手掌按住桌面上的纸,右手近于伸直,执笔的姿势也要随着站立而改变,手享下覆,手背与手臂几乎成一平面。两脚分开站稳,双足之间的距离与肩宽大致相等。书写时用手腕、手臂的运动来完成;如果写特别大的字,甚至要用腰部的运动来书写,两脚可再分开些,使书写动作可大一些。执笔方法也应随之而变化。

工具

选笔

毛笔

不同阶段,不同水平,学习不同的书体,练习大小不同的字,对应的毛笔也是不同的。

推荐实体店购买,而非网店购买。网店上的东西看不清摸不着,仅能通过几张图片来判断,这种判断方法很难看的真切,因此很多人发现上了当。而在实体店可以好好观察,也可以根据不同的价格的毛笔进行一个对比,从而择优购买,有问题也能在现场发现。

用笔最好还是选择品牌笔,价格虽是稍高点,但质量比较可靠,包括用料和工艺。

范本

平时多看名帖、看书法展、看名家挥毫。从好作品中汲取养分。推荐的以下范本。

书写原则

1、线条坚而浑——激情原自线条的熟练。线是力和势的组合,行笔要沉着痛快,做到稳健、轻便,重笔势(即趋向),根据字形大小排字的走向,线条斜势,整体纵向走势。

2、结体奇而稳——注意重心。欹侧、擒纵、疏密、高低。

3、章法变而贯——竹节式(几个字一节)节数间有空隙;贯珠式(中心线);蛇行式(左右摆动);疏影式(疏疏朗朗)。

布局要点

1、一字不能成行。

2、字与字之间有呼应,上承下启,左映右带,行距和字距不能相等。书眼放中央,可大些,字与周边气贯。

3、整体上展出适合墨迹浓重的作品。挂家中适合疏淡的作品。

4、作品中不能有错别字,异体字不过于冷僻。

5、作品整体布局上面重下面轻。

6、评作品好坏主要看总体视觉效果:节奏、墨色、用笔。

7、三三两两,似散还续,气脉一贯,此布局之妙也。

书写技巧

行楷的连带

笔画连带是行楷书的核心,唯有连带,方能提高书写速度。除了一般上下笔划之间的连带之外,还有一些特殊的连带。

1、改变笔顺。如分、交、布、必、巨、王等字,笔顺改变后,连带顺畅,书写便利。

2、笔画合并。如页、吊、此、高、非等字,笔画合并后,两笔并作一笔,使得上下连贯。  3、笔画省略。如即、动、蜂、龄、它等字的点、小竖、短撇等次要笔画,为了不妨碍连笔,就省略掉了,虽然省略了,但是仍易于辨认。

4、笔画替代。如风、喜、基、具、常、王、能、可等字,这写字大都采取了描摹轮廓的方式来写,用象形笔法勾勒出来,由于约定俗成,已被大家所接受。

要练好行楷,关键要仔细观察字的行笔路线,注意上下衔接,突出主要笔画,减少对笔画的修饰,尽量一气呵成,使字浑然一体。由于书写点画简略,随意自然,行楷给人们以轻松愉快的感觉。

书写特点

行楷的书写特点是连、变、省,其笔画比正楷字的笔画自由,用笔方法也有许多变化。下面我们逐一介绍行楷的基本笔画。

行楷的点画

行楷画卷头尖、腹平、背圆、尾满,前后顾盼。点画都与字的中心呼应。下面是行楷字点画的主要写法:

行楷的横画

行楷字横画多数带钩,与前后笔画呼应或者连接,有长短、精细、俯仰等变化,如果数横并列,要有长短参差,笔势也要有区别。横画在字中往往起平衡作用,因此书写时要注意长短、角度和曲弧。

行楷的竖画

行楷字写竖画不宜太直硬,要适当取斜势或弯曲,收笔有悬针,有垂露,有带钩,有弯弧,但必须把力用到笔端,切忌软散。字中的长竖作适当夸张。

行楷的撇画

行楷字的撇有多种姿态,要注意长短、曲直的变化,书写时常常回锋,做到伸缩有度,与捺相配时要有变化,不能呆板。

行楷的捺画

捺多用在字的右部或者右下角的末笔,有时写成反捺或长点出锋,但要注意带曲,回锋的方向要有变化。

行楷的提画

提又称挑,常在左右结构字左旁的末笔,与右半边联系。写提笔要快而有劲

行楷的折画

行楷字的折画有圆有方,圆转多于方折,圆度要润,方折要顿。

行楷的钩画

行楷字的钩画多变并适度夸张。有些字本来没有钩,可以加钩起连带作用,但要生动求变,饱满有劲,切忌软弱、尖细。

书写关键

八面出锋

借助于八面出锋,自然显出墨色浓淡,湿中有干,干中有湿,浓中有淡,淡中有浓,变化千万,使作品富有节奏感。

刚柔相济

刚力—铁划银钩(粗):柔力—行云流水(细)。

惜墨如金

要求蘸一次墨写一个字,甚至数字。

豁然开朗

留白处有宽有窄,宽处给人以忽然开朗之感。艺术是制造矛盾,到解决矛盾的过程。

中侧并用

中锋得法立骨,侧锋得势求变。中锋是理性的要求,是书法审美的核心所在;侧锋是情性的化身,是书法通神的手段。

深思熟虑

创作前要深思熟虑,反复推敲,做到“胸有成竹”。

一气呵成

书法是感情的流露,不是技巧的表现,要在身体与心情皆好的状态下写字。书写时随意挥洒,一气呵成。

错落有致

一般情况下,作品的行距要宽,字距要紧。字忌并列,要错开。节数间有空隙,排列组合要有节奏,大小字参差,突出中间书眼。

笔情墨趣

书法是无声的音乐,无形的舞蹈。求变化中有呼应,使整体和谐,有强烈的节奏和视觉冲击力。用好拙笔,用笔略慢,动中有静,写出墨趣。

重视贯气

书法的气,是指点划与不同字之间的呼应,字与字之间的趋向。

书写方法

读帖

要练眼,即认真读帖。读帖是基础,要仔细观察字在方格中的高低位置、笔画的连贯映带、疏密和长短等,眼高是手高的前提,对字形要善于观察、分析和比较,大致相同的字合成一类,举一反三,达到事半功倍的效果。

练脑

要练脑或说练心。在细心观察的基础上,要把示范字牢牢地记在心里,只有把字形象记英语单词、背数学公式那样烂熟于心,深深地刻在大脑里,才能熟练运用。无论何时,一旦提到这个字,马上就能想出这个字在字帖上的形状,做到胸有成帖,脑有成字。

练手

练眼和练脑是为了搞清字该怎样写,心中能想出字的最好效果,手下却不一定能写出来,因为脑不一定能指挥得了手,手不一定能指挥得了笔。练手就是要达到心手一致、手笔一致的境界,所以练手也是至关重要的。练手主要是练指力、练腕力、练手感。

练结构

要写好行楷,结构的练习重于笔画的练习。字的结构是指字的笔画的长短比例及笔画间的穿插避让关系。要掌握汉字的结构,大家可以写写黑体字,通过这种字体把结构进行校正,然后加以变化,写其他的字体也就容易一些。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"行楷又称“汉字行楷手写体字形”,是偏重于楷书书写笔法,比楷书行笔自由,又比行草规正的行书字体。是汉字在楷书基础上简约书写笔画、增强书写映带、表现书写意趣的实用性字体。行楷最大的优势在于实用性极强,书写速度快、易识易学。","id":""}],"text":"","id":"doxcnIcYsIAc6q8UAHoupFfA6Jv"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"行楷特点","id":""}],"text":"","id":"doxcnYaukOIYUqu4uirDWImLVhI"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"行笔轻盈","id":""}],"text":"","id":"doxcnUAAg4qCUSo6KGuqFDmvpHf"},{"type":"paragraph","children":[{"type":"text","text":"书写楷书,运笔稳实、缓慢,笔画讲究工整、挺健。书写行楷,运笔轻松、便捷,线条追求流畅、明快。","id":""}],"text":"","id":"doxcnCcIycGWM0kCICoARw4h31d"},,"attrs":{"height":360,"note":[{"type":"text","text":"行笔轻盈","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/07aa7d0ff2be4e8585dc8f7287a33c88","width":366},"text":"","id":"doxcn6eaIKe6qku4eQygEUM7n3y"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"点画灵动","id":""}],"text":"","id":"doxcnC4Kq6GGeMC4MyScd0OabDe"},{"type":"paragraph","children":[{"type":"text","text":"书写楷书,笔画造型完整,点画之间呼应关系含蓄。书写行楷,点画活泼,连带显露,点、钩、挑等动感笔画明显增多。","id":""}],"text":"","id":"doxcn2EEM4UIOggMSo7KjntZCAh"},,"attrs":{"height":358,"note":[{"type":"text","text":"点画灵动","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/37d3a92a963c4e908f3f31e1a7a3a649","width":372},"text":"","id":"doxcnqC8oAwiiumKUstBwpBAjpc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"字形多变","id":""}],"text":"","id":"doxcnC82UOSaoAq8GG4UbvbUo1d"},{"type":"paragraph","children":[{"type":"text","text":"楷书的字形平正端庄,通篇整齐均匀,相映如一。行楷字的字形变化多姿,通篇大小相间,正敧相错,同一个字可以有多种写法。","id":""}],"text":"","id":"doxcn2iekUmMgo6SoiiSs7V6a1b"},,"attrs":{"height":436,"note":[{"type":"text","text":"字形多变","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b53a66166e1243ab8eea03c77eef8915","width":431},"text":"","id":"doxcnAYAgCE6gSM4g1SmRmWs7Qz"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"硬笔行楷","id":""}],"text":"","id":"doxcn8oSKw6Oa06U2gVS19IetNg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"姿势","id":""}],"text":"","id":"doxcn08qmQYAGsSkyOI8DWpi9Nc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"坐姿","id":""}],"text":"","id":"doxcnciMciCmG8IcCEjBHGJk0Qh"},{"type":"paragraph","children":[{"type":"text","text":"推荐的坐姿:头正、肩平、臂开、足安;眼离纸一尺高,手离笔尖一寸长,胸离桌子拳头,推荐坐姿如下图。","id":""}],"text":"","id":"doxcnKokEyOQEISoEwPbLbaS4id"},,"attrs":{"height":269,"note":[{"type":"text","text":"坐姿","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2518cd45688c4c88b6ad0dc26fa83e68","width":249},"text":"","id":"doxcnS4soUKQwKyCCofbdKxjsEh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"握姿","id":""}],"text":"","id":"doxcnQgsMwykeKq0umedSoMmVrh"},{"type":"paragraph","children":[{"type":"text","text":"推荐的握姿:拇指、食指捏住笔,中指抵住笔杆底;余下两指紧相依,指离笔尖一寸余;五指配合齐用力,不松不紧最适宜,推荐握姿如下图。","id":""}],"text":"","id":"doxcnssCokGGekg8G0UAgW0iUxh"},,"attrs":{"height":181,"note":[{"type":"text","text":"握姿","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f6ecdf5dcd674c09844ac3b09d317014","width":260},"text":"","id":"doxcnGYuiweyaGmqkWfgdUpbvhb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"工具","id":""}],"text":"","id":"doxcn4IQSKyg8eYQ8esyWOtcVuc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"选笔","id":""}],"text":"","id":"doxcnYoWqeCaqQiKKEbPWJleqze"},{"type":"paragraph","children":[{"type":"text","text":"1、钢笔","id":""}],"text":"","id":"doxcnyaCk2M6ME8eGaSyV44e6Jc"},{"type":"paragraph","children":[{"type":"text","text":"钢笔的地位在硬笔练字中处于不可撼动的地位,较强表现力可以反映出毛笔的效果。关于练习钢笔的选择,我们可以遵从以下原则:","id":""}],"text":"","id":"doxcnsG6Ye4omiYEAOs7UZGKLvh"},{"type":"paragraph","children":[{"type":"text","text":"(1)不使用美工笔。美工笔不利于稳定练习;","id":""}],"text":"","id":"doxcnS2asmUM8Oc0umYs2RnCLXf"},{"type":"paragraph","children":[{"type":"text","text":"(2)不使用写起来不适的钢笔。比如出现堵笔、洇墨、摩阻过大等问题;","id":""}],"text":"","id":"doxcnwcSUoiKOMOAwolSDNeSgqg"},{"type":"paragraph","children":[{"type":"text","text":"(3)不使用过贵的钢笔。在成本练字的过程相对耗笔,尽量做到成本控制,贵的笔对练字本身没有太实质性的帮助。","id":""}],"text":"","id":"doxcnYWSoWCMyIac2wXg8H0vTNc"},,"attrs":{"height":800,"note":[{"type":"text","text":"选笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/143c124cd04042ea8e2dd086dadce517","width":800},"text":"","id":"doxcnOimsEeYcU8IUycD6KwzYRc"},{"type":"paragraph","children":[{"type":"text","text":"中性笔","id":""}],"text":"","id":"doxcnAIOqO4UKUsKiiWblbtqV0b"},{"type":"paragraph","children":[{"type":"text","text":"中性笔有稳定、表现力强、便宜、便捷、书写舒适等优点,是一种相对完美的笔。不止在此次行楷练习试验中,日常生活中,大多数人更愿意使用0.5中性笔。","id":""}],"text":"","id":"doxcn8y80ucmkMEo6Yz690kipzd"},{"type":"paragraph","children":[{"type":"text","text":"中性笔的挑选可以遵从如下原则:","id":""}],"text":"","id":"doxcnguKWaAyGiU82m24DES6LJd"},{"type":"paragraph","children":[{"type":"text","text":"(1)书写流度。笔触顺骨,笔画饱满,墨色均匀;","id":""}],"text":"","id":"doxcn6OAiAKuiw0QKML7J6o8XXf"},{"type":"paragraph","children":[{"type":"text","text":"(2)握笔舒适度。长时间书写不会有过于明显累手、压迫感;","id":""}],"text":"","id":"doxcnCMYeAmYkKcOUUrxYq3Fise"},{"type":"paragraph","children":[{"type":"text","text":"(3)墨干燥速度。书写时不会被谱黑就行。","id":""}],"text":"","id":"doxcnmIu0Qi2uKKokktaSU61gZb"},,"attrs":{"height":292,"note":[{"type":"text","text":"选笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/ee9abf52df3142ed8665577f90f381e6","width":387},"text":"","id":"doxcnOOQGKEUeqI8k6lAdfDViic"},{"type":"paragraph","children":[{"type":"text","text":"3、其他笔","id":""}],"text":"","id":"doxcnkicWAAEOqkAOKA627mdwqd"},{"type":"paragraph","children":[{"type":"text","text":"除了钢笔和中性笔,其他笔类都可以进行练字。种类繁多,最为常见的有铅笔,圆珠笔等。不一定局限于某种笔。","id":""}],"text":"","id":"doxcn0ccAiu6KEUGc6M6v7YNFyg"},,"attrs":{"height":250,"note":[{"type":"text","text":"选笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b9668d13228a408d98ce10dd0a8b874c","width":250},"text":"","id":"doxcnIegGkuSKW6c6wBzbOOPyRb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"字帖","id":""}],"text":"","id":"doxcniEOyUqOQMmWQslzECcIJRf"},{"type":"paragraph","children":[{"type":"text","text":"分类","id":""}],"text":"","id":"doxcnqWSUaMQmYO0kAf24i8PFTc"},{"type":"paragraph","children":[{"type":"text","text":"字帖大体可分为三类:(1)笔画结构详解类(2)集字类(3)语录文章类。初学者可以购入三类字帖分别一本,有一定基础者可以购入后两类字帖各一本,基础扎实者可购最后一类字帖。行楷定型试验于2019年6月10日启动,2019年10月24日初步定型,所用字帖为荆霄鹏的《实用行楷字帖》(图1)、《林徽因语录行楷》(图2)。《实用行楷字帖》属于集字类,《林徽因语录行楷》属于语录文章类。","id":""}],"text":"","id":"doxcnSmkI4QYAAcE8kz0fC7TfKe"},,"attrs":{"height":317,"note":[{"type":"text","text":"字帖","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/365b0cf1b3844a10a47844acbbdcef35","width":235},"text":"","id":"doxcnKOqYYIE8owM6GIVhk2ea3e"},{"type":"paragraph","children":[{"type":"text","text":"图1","id":""}],"text":"","id":"doxcn42scOaQC6SGCE3OExmp20g"},,"attrs":{"height":320,"note":[{"type":"text","text":"字帖","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b702530ab255456e99171f65f0130fec","width":247},"text":"","id":"doxcnsumocemYQSk6yoqAhf6Adc"},{"type":"paragraph","children":[{"type":"text","text":"图2","id":""}],"text":"","id":"doxcnce6CcqocmQocA7Zw4FETee"},{"type":"paragraph","children":[{"type":"text","text":"推荐字帖","id":""}],"text":"","id":"doxcngEOIQQM0OwgagFMW09R8td"},{"type":"paragraph","children":[{"type":"text","text":"当代有大量优秀行楷字帖,比如吴玉生、田英章、钱沛云等人的行(楷)字帖。","id":""}],"text":"","id":"doxcnuo6u84MkgeoQS0nh3cTNhh"},{"type":"paragraph","children":[{"type":"text","text":"昊玉生的行楷字站:《怎样写好写快规范字》《公务员汉字书写5500字》、《古文观止》、《硬笔行书红楼梦诗词》等。","id":""}],"text":"","id":"doxcnUyY28seoq2m08jMdTLPxkb"},{"type":"paragraph","children":[{"type":"text","text":"田英章的行(楷)字帖:《钢笔行书实用技法字帖》、《漂亮字的快写技巧(行书)》、《现代汉语常用3500字(行书)》等。","id":""}],"text":"","id":"doxcnQSMqau4qCoMm2XxlNGJJyb"},{"type":"paragraph","children":[{"type":"text","text":"钱沛云的行(楷)字帖:《钱沛云硬笔书法技巧》《钱市云教你写好硬笔行书》等。","id":""}],"text":"","id":"doxcnqy4Y2iKkqcOUMXXyjbwRkc"},{"type":"paragraph","children":[{"type":"text","text":"对于字站的选择需要根据自己的喜好,但是也要避雷。","id":""}],"text":"","id":"doxcn0CS4AYcuOkW4qIygeJROZb"},{"type":"paragraph","children":[{"type":"text","text":"选择字帖三不选:不选折凹槽类字帖;不选手写体类字帖;不选大幅度描红类字帖。","id":""}],"text":"","id":"doxcngE80Gokgqkao6zWC2vsfsd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"纸","id":""}],"text":"","id":"doxcnQ0gAgC4M6kaQ0owxeYyZoe"},{"type":"paragraph","children":[{"type":"text","text":"练习纸种类繁多,常见的有回宫格、米字格、田字格、空白格、横线格、竖线格等等,练习纸的选择也需依据自己的基础,初学尽量选择辅助线多的回宫格、米字格等,随着阶段的变化,练习纸也应该有所改变以减少辅助,达到科学练习的目的。按时间顺序,不止使用了米字格纸、田字格纸、空白格纸、横线纸、竖线纸、白纸。","id":""}],"text":"","id":"doxcnCqSommKokAMWXsjLxZ3xLe"},{"type":"paragraph","children":[{"type":"text","text":"重点:从脱离米字格到白纸,练字整个过程都贯穿着田字格纸的巩固练习,不属于完全转换状态。","id":""}],"text":"","id":"doxcn4OAM2WWoY4YOyYiYNBddyc"},{"type":"paragraph","children":[{"type":"text","text":"另外,有以下几个点可以注意:","id":""}],"text":"","id":"doxcnoAMw6gCwuOeeiSIj3962rg"},{"type":"paragraph","children":[{"type":"text","text":"(1)当没有问题的笔墨写在纸上产生洇墨、阻力大等类问题,建议换纸。","id":""}],"text":"","id":"doxcnCey64Ue0CCyUGstIqsePWc"},{"type":"paragraph","children":[{"type":"text","text":"(2)不要使用线格过小的纸,选择写起来有种自然舒适状态的纸。","id":""}],"text":"","id":"doxcn0Mei0Mi22YGOgvnvvFwmqd"},{"type":"paragraph","children":[{"type":"text","text":"(3)不要刻意追求“好”纸,硬笔行楷的练习对纸的要求较低。","id":""}],"text":"","id":"doxcneCgECqqU08WuGr3c4sImyT"},,"attrs":{"height":1185,"note":[{"type":"text","text":"纸","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/bcd041337a694ecb8a11c3ce054340b9","width":790},"text":"","id":"doxcngMeGwYSmIwUUa0uTFIdCoh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"练字内容","id":""}],"text":"","id":"doxcnyMuA00AusuW8AnUVouKs0f"},{"type":"paragraph","children":[{"type":"text","text":"从欣赏一幅书法作品的角度,至少会从章法、结构、笔画(划)三方面进行解读,这三方面即是要练字的内容。","id":""}],"text":"","id":"doxcn4uW6WqcQQUws0SXcSdnWrg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"章法","id":""}],"text":"","id":"doxcnu0IiMSkSoICs0ivuP8j0Ad"},{"type":"paragraph","children":[{"type":"text","text":"章法是安排布置整幅作品中,字与字、行与行之间呼应、照顾等关系的方法,它着重于字与字之间、行与行之间的协调。章法包含着字形大小、字距远近、字态正奇、黑白分布、落款铃印等,利用这些手段可以使众多单字在特定的风格下形成一种和谐稳定美观又不失趣味的作品。","id":""}],"text":"","id":"doxcnsusugEusaIo8MvXg33O1nd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"结构","id":""}],"text":"","id":"doxcnkwY2Cok0I4kKa6vEwygEJd"},{"type":"paragraph","children":[{"type":"text","text":"结构是字内各笔画长短、粗细、疏密、布局等。汉字从结构上分有独体字与合体字两大类。从结构形式看,合体字分为七种,即上下结构、上中下结构、左右结构、左中右结构、半包围结构、全包围结构和品字形结构,巧妙地组织笔画让笔画布局合理,传达的视觉效果越好。","id":""}],"text":"","id":"doxcnssuKaGa0MoAsuAwL2Ii3nh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"笔画(划)","id":""}],"text":"","id":"doxcneeOGiAiIIeW0IKQDaEEH5I"},{"type":"paragraph","children":[{"type":"text","text":"永字反映出了“点、横、竖、撇、捺、提、折、钩”八个基本笔画。笔尖与纸面接触的痕迹,反映出笔画力度、角度、粗细、曲直等。笔画作为练字的起点,是最基础也是最核心的,务必加倍重视。","id":""}],"text":"","id":"doxcniAmUuyA0CaaswvbgJ0S7Ch"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"练字方式","id":""}],"text":"","id":"doxcnYKCygkWcIKGKUPHW5pSzxf"},{"type":"paragraph","children":[{"type":"text","text":"临摹字帖是当下练字最有效的途径,但是部分人在临摹之前往往忽略了一个前提:读帖。将练字方法分解为三个部分:读帖、摹写、临写。","id":""}],"text":"","id":"doxcnO0UMscWAuQkIe5yqi2MeT9"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"读帖","id":""}],"text":"","id":"doxcnGAAk82w28KUOIRlF1S8QLh"},{"type":"paragraph","children":[{"type":"text","text":"读帖需要分析字帖范字的笔画、结构、章法。读帖是一个发挥主观能动性的过程,初步练习时应更多的注重笔画的长短、粗细、徐疾、轻重,笔画之间的俯仰、向背、离合、呼应,字的大小、方圆、高矮、宽窄等等。仔细领会字帖的点画形质、间架结构、气韵神采,才能下笔准确。对同一字帖而言,应从其点画开始,观察其起笔、行笔、收笔如何完成以及同一类笔画之间的细小差别等,再到观察毎个字的间架结构、位置布局和章法,最后则是体味字站的气韵神采、风格特点,为准确地临写做好准备。对不同字帖而言,就比如不止选择的两本字帖,往往起到一个相辅相成的作用,为了解一个字体作好充分的准备。经过观察,不止使用的行楷字帖,不像古帖变化较多,容易学习,方便掌握。","id":""}],"text":"","id":"doxcn6mgYAAAQOMywycRkaO2uCf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"摹写","id":""}],"text":"","id":"doxcn6gYSEGaCkcOkiUDVAvGzle"},{"type":"paragraph","children":[{"type":"text","text":"市面上流通的大多数摹写字帖采用透明度较高的硫酸纸覆盖在字帖上,按照影子描写(或者猫红)。当你开始使用摹写时前也要详细的读帖,做到心中有数。摹写过程中,尽量与原帖的用笔一致,单字书写一气呵成,不可存在먹笔填笔等问题。摹写有利有弊,不止认为摹写存在降低主观能动性的嫌疑,故整个练字试验过程都没有使用摹写。","id":""}],"text":"","id":"doxcncqAyo4S6CCSaYTmdDAzshe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"临写","id":""}],"text":"","id":"doxcn6iM4OiYag0WcQD61VKxzDd"},{"type":"paragraph","children":[{"type":"text","text":"临写根据要求的不同可分为对临、背临和意临。","id":""}],"text":"","id":"doxcnygOUcU2IMMCIs1Ye474JJd"},{"type":"paragraph","children":[{"type":"text","text":"1、对临","id":""}],"text":"","id":"doxcni62qGqSGoUMUYNDoHeenTw"},{"type":"paragraph","children":[{"type":"text","text":"可将字帖置于视角左侧或前端,便于准确观察。随着练字形式的多样化,对临时关于字帖的摆放只要适用于自己即可,可通过裁剪字帖放大观察范围,不必拘泥形式。基于读帖,写完后再将自己写的与字帖仔细对照分析,找到不足做出标记,再次临写,循环练习直到与字帖的字高度相以。临写时不可看一笔写一笔。","id":""}],"text":"","id":"doxcncyUQQaEEiUwKsF3SWiJp0e"},{"type":"paragraph","children":[{"type":"text","text":"2、背临","id":""}],"text":"","id":"doxcnA2S06sa2kckwDN9brm2NLc"},{"type":"paragraph","children":[{"type":"text","text":"在读帖,摹写,对临这些过程中,应当有所思索、有所比较、有所记忆,将字帖熟记于心,合帖临写,通过背临这种方式来检验自己是否熟练,这种方式就好比背语文课文,作为一种检查手段的同时,也是在巩固字体的练习,以形成记忆模式,达到一种出笔即像的境界。有部分练习者对照字帖能写得很好,一旦离开字站,不管是字形还是结构都降了层次,这就是因为没有使用好背临这一招。学习一个字体最后目的就是要将帖上字化为已用,想要到达这一目的,背临是必经的过程。背临还有两种形式:空背临和心背临。由于这两种方式不存在使用工具、时间、环境等的要求,完全可以利用碎片时间进行练习与巩固。空背临可用手指、木棍等工具在空中、地上或身上,通过记忆比照字帖写。心背临即在心里描摹字帖,在脑中再现每一笔每一画,这种方式适合睡觉前时用。","id":""}],"text":"","id":"doxcnMcQ2kOYemq2qmcI1ebeInc"},{"type":"paragraph","children":[{"type":"text","text":"3、意临","id":""}],"text":"","id":"doxcnAKoeUoysIM2gE9Ezj6O0Yb"},{"type":"paragraph","children":[{"type":"text","text":"在临写时注入了自己的主观意识,意临是由临摹过渡到创作的必经之路。诸多初学者存在一个问题:练字时喜欢掺杂自己的意识,这是一种正常的现象,但是也是要趁早正视解决的问题,到达意临这个阶段才开始融入主观思维,切不可过早掺入。意临可从为两种,第一种是在原帖字体风格的基础上,使用自己的笔法或结体特征来表现;第二种是在自己字体风格的基础上,使用原站的笔法和结体特征来适应自己的“意”。","id":""}],"text":"","id":"doxcnGYuu2QQuummUchftaOlYJf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"注意事项","id":""}],"text":"","id":"doxcnSEKqU8MukMwuYLyVM9eJ0g"},{"type":"paragraph","children":[{"type":"text","text":"三种练字方法的合理利用才能在练字过程取得一个不错的效率,需要我们注意如下几点:","id":""}],"text":"","id":"doxcnM4ci6OkEmCu4Mv7B1q8ayg"},{"type":"paragraph","children":[{"type":"text","text":"1、多临少摹","id":""}],"text":"","id":"doxcn4UsGEYE2qa4kSq81ldYrEb"},{"type":"paragraph","children":[{"type":"text","text":"不止在为期四个多月的练习期间不采用摹写是因为降低了主观能动性。将摹写与临写进行有机结合,以临写为主、摹写为辅的方式取长补短,未必不是一种好的方法。","id":""}],"text":"","id":"doxcn8kGcQuiKocsIHa0TtdvKh9"},{"type":"paragraph","children":[{"type":"text","text":"2、循序渐进","id":""}],"text":"","id":"doxcnIA0wMeKukUIs7pBA3jNXG7"},{"type":"paragraph","children":[{"type":"text","text":"一般而言,从摹写到临写,各项练习方法应当有效穿插,相互作为辅助关系。","id":""}],"text":"","id":"doxcn2weMMgcMgICQgHri9JdLFd"},{"type":"paragraph","children":[{"type":"text","text":"3、先专后博","id":""}],"text":"","id":"doxcnosUWSoIk4MEIiqC3FlueHg"},{"type":"paragraph","children":[{"type":"text","text":"比如不止选择的两本字帖,先《实用行楷字帖》,后《林数因语录行楷》,两本字帖虽然都是荆香鹏的字,但有差别。先打好基础,解决好笔画结构,再进入长篇幅的练习。同时也可以找书家其他字帖,进行广泛吸收。","id":""}],"text":"","id":"doxcnWW4cQko8gm8SWEZ20ELjhg"},{"type":"paragraph","children":[{"type":"text","text":"4、点面结合","id":""}],"text":"","id":"doxcnqy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}],"text":"","id":"doxcn4iqiYKKmE0moI7XxDzVdXq"},,"attrs":{"height":360,"note":[{"type":"text","text":"布局要点","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/e5dcacce4cad4010ad94c4bf926d1548","width":360},"text":"","id":"doxcns2q6MuQS2OYkUFUYR1XDYd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"书写技巧","id":""}],"text":"","id":"doxcnqAKwy8akk2GOlNevr7eyNe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的连带","id":""}],"text":"","id":"doxcnG0o6uA0YYe8CuWrldoHTie"},{"type":"paragraph","children":[{"type":"text","text":"笔画连带是行楷书的核心,唯有连带,方能提高书写速度。除了一般上下笔划之间的连带之外,还有一些特殊的连带。","id":""}],"text":"","id":"doxcno8SYyoAsoSocOZIZBKiU7L"},{"type":"paragraph","children":[{"type":"text","text":"1、改变笔顺。如分、交、布、必、巨、王等字,笔顺改变后,连带顺畅,书写便利。","id":""}],"text":"","id":"doxcncsCykwUwgQyCkXIu4UVJFc"},{"type":"paragraph","children":[{"type":"text","text":"2、笔画合并。如页、吊、此、高、非等字,笔画合并后,两笔并作一笔,使得上下连贯。  3、笔画省略。如即、动、蜂、龄、它等字的点、小竖、短撇等次要笔画,为了不妨碍连笔,就省略掉了,虽然省略了,但是仍易于辨认。","id":""}],"text":"","id":"doxcnOYy6OeoucYkqYfm5oVPIeg"},{"type":"paragraph","children":[{"type":"text","text":"4、笔画替代。如风、喜、基、具、常、王、能、可等字,这写字大都采取了描摹轮廓的方式来写,用象形笔法勾勒出来,由于约定俗成,已被大家所接受。","id":""}],"text":"","id":"doxcniYscSugg4ga4kJKzB7wtCb"},{"type":"paragraph","children":[{"type":"text","text":"要练好行楷,关键要仔细观察字的行笔路线,注意上下衔接,突出主要笔画,减少对笔画的修饰,尽量一气呵成,使字浑然一体。由于书写点画简略,随意自然,行楷给人们以轻松愉快的感觉。","id":""}],"text":"","id":"doxcnGCQCeMou2CkAyyiNa3Bstg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"书写特点","id":""}],"text":"","id":"doxcnE4o0MYkUE0UmWeKpQb4cxg"},{"type":"paragraph","children":[{"type":"text","text":"行楷的书写特点是连、变、省,其笔画比正楷字的笔画自由,用笔方法也有许多变化。下面我们逐一介绍行楷的基本笔画。","id":""}],"text":"","id":"doxcng2aqCSqMucQ6GriKynPoIc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的点画","id":""}],"text":"","id":"doxcnA0C64w46QSqsstlt7yH0yg"},{"type":"paragraph","children":[{"type":"text","text":"行楷画卷头尖、腹平、背圆、尾满,前后顾盼。点画都与字的中心呼应。下面是行楷字点画的主要写法:","id":""}],"text":"","id":"doxcnGIEQKUwOsoeM8sP960iQHb"},,"attrs":{"height":571,"note":[{"type":"text","text":"行楷的点画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c7cd854fd45e4de899fe8863de596e9b","width":450},"text":"","id":"doxcncYgsUyM4sSS66mhva0NHhB"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的横画","id":""}],"text":"","id":"doxcnKYyC4eEYoIkKPxkgIr9ixK"},{"type":"paragraph","children":[{"type":"text","text":"行楷字横画多数带钩,与前后笔画呼应或者连接,有长短、精细、俯仰等变化,如果数横并列,要有长短参差,笔势也要有区别。横画在字中往往起平衡作用,因此书写时要注意长短、角度和曲弧。","id":""}],"text":"","id":"doxcngaCsoG2GAoQwukjtCX0n69"},,"attrs":{"height":355,"note":[{"type":"text","text":"行楷的横画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f5deb7f3e889460583b771ccb2bd1748","width":537},"text":"","id":"doxcn8UuYcU88As6k4KiNBFM5Pc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的竖画","id":""}],"text":"","id":"doxcnUQ8Kmyc4S0G0qOuxQZlEme"},{"type":"paragraph","children":[{"type":"text","text":"行楷字写竖画不宜太直硬,要适当取斜势或弯曲,收笔有悬针,有垂露,有带钩,有弯弧,但必须把力用到笔端,切忌软散。字中的长竖作适当夸张。","id":""}],"text":"","id":"doxcnIsACQSQmYUmE8jtVztVsRf"},,"attrs":{"height":592,"note":[{"type":"text","text":"行楷的竖画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/4ebe6c6e082e402290371396cd7a13d5","width":590},"text":"","id":"doxcnuE8UyyK64ME6moE7zHbUlf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的撇画","id":""}],"text":"","id":"doxcnyCeWYWmogs4Kqgp8hCMKvd"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的撇有多种姿态,要注意长短、曲直的变化,书写时常常回锋,做到伸缩有度,与捺相配时要有变化,不能呆板。","id":""}],"text":"","id":"doxcnI6SMqOyMs8SMGqegxzJXld"},,"attrs":{"height":545,"note":[{"type":"text","text":"行楷的撇画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/44e54987821142888f501960daa7e3b5","width":640},"text":"","id":"doxcnwKQKEG66I4qI0Ia4oXvH3c"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的捺画","id":""}],"text":"","id":"doxcnmcaosE8KQAIwmEE9pflz0g"},{"type":"paragraph","children":[{"type":"text","text":"捺多用在字的右部或者右下角的末笔,有时写成反捺或长点出锋,但要注意带曲,回锋的方向要有变化。","id":""}],"text":"","id":"doxcnqQMqOIEkuOiUeKfhqJ8rVT"},,"attrs":{"height":659,"note":[{"type":"text","text":"行楷的捺画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/631e14ee1c724642961a834cbfc47eba","width":640},"text":"","id":"doxcnUOe46mkCgIoICQmdDa8Rrc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的提画","id":""}],"text":"","id":"doxcn2CUkIkSq6YUaYdnIpKqHwd"},{"type":"paragraph","children":[{"type":"text","text":"提又称挑,常在左右结构字左旁的末笔,与右半边联系。写提笔要快而有劲 ","id":""}],"text":"","id":"doxcn4MK8QuaAOYm40WLzS0TJie"},,"attrs":{"height":439,"note":[{"type":"text","text":"行楷的提画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/1ba0891e62d549ff937195b34bf9e80f","width":640},"text":"","id":"doxcncCkuYouk6ssmsT06ZDxoSc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的折画","id":""}],"text":"","id":"doxcno8eOy0ks4EQqIljp7jUr0d"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的折画有圆有方,圆转多于方折,圆度要润,方折要顿。","id":""}],"text":"","id":"doxcnGmy4CU0MgcoSUVQHAqYB2g"},,"attrs":{"height":423,"note":[{"type":"text","text":"行楷的折画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8711dc90e7e642dd95cf0e67a20bae36","width":640},"text":"","id":"doxcnWY2wyEWWQkKQMztqVyBQch"},{"type":"paragraph","children":[{"type":"text","text":"行楷的钩画","id":""}],"text":"","id":"doxcnMwMi8eu2s8S06UT3SKzm9F"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的钩画多变并适度夸张。有些字本来没有钩,可以加钩起连带作用,但要生动求变,饱满有劲,切忌软弱、尖细。","id":""}],"text":"","id":"doxcnwswImyS0Oae46NA7C35mlb"},,"attrs":{"height":779,"note":[{"type":"text","text":"行楷的折画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/776ce9e7ba5b460383868d7eb282e824","width":640},"text":"","id":"doxcnG4Wy24uac42aYRHOKhrDEf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"书写关键","id":""}],"text":"","id":"doxcn6o86MmeMUcmkkHLBcIqxCc"},{"type":"paragraph","children":[{"type":"text","text":"八面出锋","id":""}],"text":"","id":"doxcngoI2owY4EG8qINNFHuTY6f"},{"type":"paragraph","children":[{"type":"text","text":"借助于八面出锋,自然显出墨色浓淡,湿中有干,干中有湿,浓中有淡,淡中有浓,变化千万,使作品富有节奏感。","id":""}],"text":"","id":"doxcnMi6CSowM8wIuYzm00qxlDh"},{"type":"paragraph","children":[{"type":"text","text":"刚柔相济","id":""}],"text":"","id":"doxcnCKG0SSqAMiiUG2RJNSagMo"},{"type":"paragraph","children":[{"type":"text","text":"刚力—","id":""},{"type":"text","text":"铁划银钩(粗):柔力—","id":""},{"type":"text","text":"行云流水(细)。","id":""}],"text":"","id":"doxcnS0AyiWK04co8UJir8F7Tkc"},{"type":"paragraph","children":[{"type":"text","text":"惜墨如金","id":""}],"text":"","id":"doxcnU22cm6iiwWIUgtSXfFRqed"},{"type":"paragraph","children":[{"type":"text","text":"要求蘸一次墨写一个字,甚至数字。","id":""}],"text":"","id":"doxcnaSwgo86II24yiOONHJDHNh"},{"type":"paragraph","children":[{"type":"text","text":"豁然开朗","id":""}],"text":"","id":"doxcnmygKyu8gAiQ6OplD7osqVp"},{"type":"paragraph","children":[{"type":"text","text":"留白处有宽有窄,宽处给人以忽然开朗之感。艺术是制造矛盾,到解决矛盾的过程。","id":""}],"text":"","id":"doxcnQG04OK2ke0U0gN2BO9SEhf"},{"type":"paragraph","children":[{"type":"text","text":"中侧并用","id":""}],"text":"","id":"doxcnEsOk8Kq6uaoieE67PtMfad"},{"type":"paragraph","children":[{"type":"text","text":"中锋得法立骨,侧锋得势求变。中锋是理性的要求,是书法审美的","id":""},{"type":"text","text":"核心所在;","id":""},{"type":"text","text":"侧锋是情性的化身,是书法通神的手段。","id":""}],"text":"","id":"doxcnGYscu8skYuWMnl6PLQWXcM"},{"type":"paragraph","children":[{"type":"text","text":"深思熟虑","id":""}],"text":"","id":"doxcngQI8EcImyUakEyabawOXpb"},{"type":"paragraph","children":[{"type":"text","text":"创作前要深思熟虑,反复推敲,做到“胸有成竹”。","id":""}],"text":"","id":"doxcnQ4mKQIMo68siohfwOjuh5a"},{"type":"paragraph","children":[{"type":"text","text":"一气呵成","id":""}],"text":"","id":"doxcncmGoe46o6aOGYrkbQGiTJb"},{"type":"paragraph","children":[{"type":"text","text":"书法是感情的流露,不是技巧的表现,要在身体与心情皆好的状态下写字。书写时随意挥洒,一气呵成。","id":""}],"text":"","id":"doxcnA4SeYSQgyyEc2B0GHS46Le"},{"type":"paragraph","children":[{"type":"text","text":"错落有致","id":""}],"text":"","id":"doxcnO0yIwmIsgGwYGEvjjQ0Bxh"},{"type":"paragraph","children":[{"type":"text","text":"一般情况下,作品的行距要宽,字距要紧。字忌并列,要错开。节数间有空隙,排列组合要有节奏,大小字参差,突出中间书眼。","id":""}],"text":"","id":"doxcnIgs6IawSuwA8e6o12XYVkg"},{"type":"paragraph","children":[{"type":"text","text":"笔情墨趣","id":""}],"text":"","id":"doxcnOoi2iO4OCGWGwHrtxBjXhb"},{"type":"paragraph","children":[{"type":"text","text":"书法是无声的音乐,无形的舞蹈。求变化中有呼应,使整体和谐,有强烈的节奏和视觉冲击力。用好拙笔,用笔略慢,动中有静,写出墨趣。","id":""}],"text":"","id":"doxcnaAGSyYusYGaA0YK4jiARyf"},{"type":"paragraph","children":[{"type":"text","text":"重视贯气","id":""}],"text":"","id":"doxcngUwWOeuwYI0wOoZ4Dee31c"},{"type":"paragraph","children":[{"type":"text","text":"书法的气,是指点划与不同字之间的呼应,字与字之间的趋向。","id":""}],"text":"","id":"doxcnaAAmUk0uIGQYmKljTaPVSd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"书写方法","id":""}],"text":"","id":"doxcnwm44O4Q6GY8CuarhxCvxeg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"读帖","id":""}],"text":"","id":"doxcnMKmOesQEoQmUUPRMutQo4c"},{"type":"paragraph","children":[{"type":"text","text":"要练眼,即认真读帖。读帖是基础,要仔细观察字在方格中的高低位置、笔画的连贯映带、疏密和长短等,眼高是手高的前提,对字形要善于观察、分析和比较,大致相同的字合成一类,举一反三,达到事半功倍的效果。","id":""}],"text":"","id":"doxcnmUisQUE2w4M8VEjN2dz4D6"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"练脑","id":""}],"text":"","id":"doxcnYyqqQ0SUumUUuinEBUVCsf"},{"type":"paragraph","children":[{"type":"text","text":"要练脑或说练心。在细心观察的基础上,要把示范字牢牢地记在心里,只有把字形象记英语单词、背数学公式那样烂熟于心,深深地刻在大脑里,才能熟练运用。无论何时,一旦提到这个字,马上就能想出这个字在字帖上的形状,做到胸有成帖,脑有成字。","id":""}],"tex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cw181

围棋起源于中国,中国古代称为“弈”,距今已有4000多年的历史。围棋使用矩形格状棋盘及黑白二色圆形棋子进行对弈,棋子必须走在空格非禁着点的交叉点上,双方交替行棋,落子后不能移动或悔棋,以目数多者为胜。

围棋组成

棋盘

围棋盘是方形的,由纵横各19条线组成。19╳19形成了361个交叉点。上有九个星,最中间的称“天元”,“元”是第一的意思,“天元”意为天空最高点。

棋子

围棋的棋子分为黑白两色,黑子181枚,白子180枚,黑白子加起来是361枚,恰好和棋盘的点数相同。

围棋规则

对局双方各执一色棋子,空枰开局,黑先白后,交替着一子于棋盘的点上。棋子下定后,不再向其他点移动。轮流下子是双方的权利,但允许任何一方放弃下子权而使用虚着。

一个棋子在棋盘上,与它直线紧邻的空点是这个棋子的“气“”。直线紧邻的点上如果有同色棋子存在,这些棋子就相互连接成一个不可分割的整体。直线紧邻的点上如果有异色棋子存在,此处的气便不存在。棋子如失去所有的气,就不能在棋盘上存在。

把无气之子清理出棋盘的手段叫提子。提子有二种:下子后,对方棋子无气,应立即提取对方无气之子。下子后,双方棋子都呈无气状态,应立即提取对方无气之子。

棋盘上的任何一点,如某方下子后,该子立即呈无气状态,同时又不能提取对方的棋子。这个点叫做“禁着点”。

棋局下到双方一致确认着子完毕时,为终局。对局中有一方中途认输时,为终局。双方连续使用虚着,为终局。

终局时,经双方确认,不能被提取的棋都是活棋。终局时,经双方确认,能被提取的棋都是死棋。

围棋术语

围棋术语是在围棋中用来表达某些特定概念和词语的称谓,它囊括了围棋的专用名词、理论知识以及竞赛规则和对局经验的许多内容,既是中国围棋文化千百年来不断发展的产物,也是人们学习围棋应该掌握的基本常识。

基本概念

在棋盘上,棋子与它直线紧紧相邻的空交叉点,就是这个棋子的“气”。单独一个棋子的气数不超过四气,但两个或两个以上相连的棋子则可以有四气以上。棋子若失去所有的气,就成为死棋,不能在棋盘上存在。

棋盘上,被一方棋子所围地域的空交叉点,称之为“目”。一个交叉点即是1目,目的数量称为“目数”。

用棋子围成的地域。

(1)即地域或空。指已为某方占有的地区。

(2)形势判断用语。如“黑地六十目”,即指黑方可望在全局围有六十目的地域。

(3)指占有子和“空”的总和。即棋子围有的全部交叉点。

所包围的目数和活棋本身之总和,称为“地”。

提子

将对方无气的棋子从棋盘上取下,称为“提子”。

打劫

双方可以轮流提取对方棋子的情况。围棋规则规定,打劫时,被提取的一方不能直接提回,必须在其他地方找劫材使对方应一手之后方可提回。

真眼

由几个连接在一起的棋子围住一个或两个空交叉点,则称该点为真眼,简称“眼”。

假眼

由几个没有完全连接的棋子围成了眼的形状,称为“假眼” 。在一定条件下,围成假眼的棋子会被对方吃掉。

活棋

棋盘上凡是对方无法提取的棋即是活棋。活棋通常要具备两只真眼。

死棋

棋盘上迟早能被对方提取的棋,即为死棋。死棋不具有两只真眼。

双活

双方互围的棋子均无两只真眼,但又不能制杀对方时即为“双活”,也称“公活”。

禁着点

棋盘任一点,一方下子后,该棋子即呈无气状态,同时又不能提取对方的棋子,这个点就称为该方的“禁着点”。一方不能下子的禁着点,对方可以下子。

布局

布局是一盘棋的先导,也是双方进行阵容部署、各自抢占要点,为双方接触作战作准备的阶段。

定式

是指布局阶段双方在角部的争夺中,按照一定的行棋次序,选择比较合理的着法,最终形成双方大体安定、利益大体均等的棋本棋形。定式的种类有星定式、小目定式、三三定式、目外定式、高目定式等。

中盘

指双方在布局之后从短兵相接开始进行的全局性作战阶段。

收官

中盘作战基本结束,双方所占地域已经大致确定,进而使双方属地完全明确的一系列着法。

在棋盘坐标4·四的位置和棋盘正中央标有九个小圆点,术语称为“星”。这九颗星,将棋盘大致划分为左上角、右上角、左下角、右下角、上边、下边、左边、右边和中腹九个区域。

指棋盘四个角部星位内侧的区域。

指棋盘四个边星两侧的区域。

天元

棋盘正中央的一颗星称作“天元”。

小目

棋盘坐标3·四位置称作“小目”。

高目

棋盘坐标4·五的位置称作“高目”。

目外

棋盘坐标3·五的位置称作“目外”。

三三

棋盘坐标3·三的位置称为“三三”。

急所

指对局时,急需抢占的要点之处,无固定位置。

大场

指布局时,棋盘上下子后能够开拆或分投之处。

天王山

"天王山"一词是指在布局阶段,双方大势力的消涨要点,表示盘面中双方都应抢占的重要的位置。

俗称

布局时在一方有一子占据角部时,另一方在其附近间隔一路或二路的位置行棋,称作“挂”。在三线行棋,称为低挂,在四线行棋,称为高挂。根据双方棋子的相对位置,又可分为一间高挂、二间高挂、一间低挂、二间低挂和小飞挂、大飞挂等。挂的目的在于破坏或侵占对方所占的角部。

也称为“缔角”或“守角”。指在己方原有小目、高目或目外一子的基础上,再下一着棋,使己方两个子相互配合守角的着法。缔角既有利于围占角地,又可进一步控制和开拓边上的大场,是布局阶段常采用的着法。

双方棋子紧贴着向同一方向行棋,先行的一方,棋子会始终高出对方一头。长的着法能将己方的棋子连接成一个整体,这样可以延长棋子的气,既可以防止对方的攻击,又便于伺机攻击对方。

紧靠着己方原有的棋子,竖着向边线方向下一子的着法。通常多指在二线或三线的行棋。

在原有棋子的斜线上下一子。由于尖的步子较小,也称其为“小尖”。在实战中,尖是一种攻守兼备的下法,既能够保持两子间的连络,又能够出头,控制行棋的方向。

从原有棋子出发,向棋盘“日”字形的对角上下一子,叫小飞。若下在 “目”字形的对角上,就叫做大飞。飞还有一种形式,叫做象步飞。与象棋的象步走法相同。

在己方有子力配合的情况下,将棋下在对方棋子的上面,其主要作用是压制对方,扩张自己的外势、使己方的棋更加厚实,强大。压的着法往往还有声东击西的作用。

从原有棋子的同一横线上,向左或向右有间隔地下一子。如果间隔一路,称为“拆一”,若是间隔二路,则称 “拆二”,其余类推。

在双方棋子相互接触时,直接阻拦对方侵入己方地域或阻止对方被围的棋子向外冲出的着法。

在无己方棋子接应时,紧靠着对方的棋子旁边下一子,称为碰。通常是用于试探对方怎样应对,追求变化的一种手段。

在有己方棋子作策应的情况下,紧贴对方棋子旁边下一子。

在己方棋子与对方棋子间隔一路的情况下,紧贴对方棋子的两侧下一子的着法。也称作“搭靠”。

将可能被对方分断的棋子连接成一体的着法。

(zhān)指将被对方“打吃”的棋子与己方的其它棋子连接成一个整体的着法。

在对方相隔一路的棋子中间下一子的着法。这种着法通常用在能够分断对方棋子,并能有效地攻击对方的场合下。

将对方棋子夹在我方两子中间的着法。

也称滚打。指由己方先弃一、二子,然后把敌子打吃成凝聚形状的着法过程。

也称打吃。在对方棋子只有两口气时,再下一子,使其仅剩一口气的状态。

双打

下一子同时打吃对方两边的棋子,形成两者必得其一的着法。

下一子,使对方的棋子立即呈现无气被吃状态,随即把被吃的死棋从棋盘上提取掉。

也称做“征子”,是围棋中吃棋子的一种方法,俗称“拐羊头”。被“征吃”一方的棋子因只有一口气,如若没有己方棋子接应,即使立即逃出,对方可按预定的行棋次序继续紧气追杀,最终会将其全部吃掉。

(qiǎ)在对方棋形的要害处下一子,使其立即呈现某种缺陷的有效着法。

紧挨着对方成“尖”形的两个子旁边下一子,具有约束对方棋形或使对方棋形出现断点或缺陷的着法。

将棋背向对方的棋子走成弯曲的形状,称为“曲”。

玉柱

在角部或边上原有一子的基础上再下立一子的着法。用于加强己方的形势或稳固己方地域。

尖顶

紧靠对方的棋子下一子,在使己方棋子成“尖”形的同时,起到顶撞对方棋子的作用。

鼻顶

在对方棋形正前方顶住对方若干棋子的着法。

下一子,将两处分开的棋子若即若离地取得联络,以保证大块棋子安全的着法。连的常用着法有跳、关、拆、小飞、大飞、大跳等。

基本杀法

中局战略

对对方的弱棋,特别是失去很据与其已成活的棋子没有联络的孤棋进行攻击,是中盘战中争取主动的重要手段。

遇到对方出现孤棋,一定抓住机会进行攻击,争取吃掉对方以获取对局中的最大效率。这样往往会引起激烈的战斗,要经常审视围杀中自己出现的问题,否则非但歼敌不成反会断送自己。 在攻击中完全歼灭对方一片棋的情况是不多的,多是通过攻击获得其他好处,其中之一即是扩展自己的领地,巩固己之本来不稳固的领地,也通过攻孤棋来达到目的。 通过连续攻击压迫敌棋边角,也加强自己的外势,但要分析、计算好,在什么形势下有利,什么形势下不利。

从发展来看,治理孤棋首先考虑的是向中央出头。不能出头,被封住往往是吃亏的,除非逃不出时才行此下策。

当遇到攻击,无法向中央出头时,有机会、有条件时可以联络到自己另一块棋上去。

如出头和渡过均不可能时只得就地求活,如单独活不成,则争取双活,如果双活亦不成时,应停止这一带的活动,停止得越早越好。

缩小眼

从周围挤压对方的棋的生存空间,使它不能有做成两只真眼的空间。

点中心点

对方有一个中心点是做眼的要点,一旦被对手抢先,就能做出两个或两个以上的真眼。比如直三、弯三、刀把五、梅花六,这些棋形的中心点就是杀棋的要点。

打劫杀

在不能净杀的情况下,可以通过打劫来杀死对方,职业棋手往往擅长利用劫争一举获得优势。所以有时双方棋形的厚薄,劫材的多少,也是一盘棋的胜负关键,往往多一枚劫材就决定了大盘的胜负。

胀死牛

将对方点眼的棋子的外气全部紧完,在对方虎口里走一子,然后打吃对方,使对方不能连,将其胀死,称为“胀死牛”。

布局常识

布局指围棋的开局走法,一般在几手到几十手的范围内。局棋的进行一般由布局、中盘、官子三个阶段构成,布局作为一局棋的初始阶段,奠定了整个棋局的骨架与脉络。对局双方各自抢占棋盘上的空地,同时尽量阻止对方占地,由此导入中盘战斗。围棋有谚语“金龟银边莫肚皮”即以国突效率而言魚上最高、中腹最差。

围棋基本布局

三连星

即在边上星位连下三颗子,这一布局极易成大模样。对于另一方来说,必须有“钻地道"和"拆天桥”的能力,否则必败无疑。 由于三个子都处在第四线上,故这种布局的侧重点不是占角,而是向中央发展。三连星的用意在于取势或构成模样,中央是它的主要战场,这是三连星的特征。

二连星

较之三连星,二连星更为灵活多变,速度也快,并可视局部变化取地或取势,而不像三连星那样很容易就走上单一取势的道路。

中国流

它的外形与三连星相似,如果把它放平了看,有一种“桥”的感觉,因此在中国也叫做桥梁式布局。

相小目

黑1、3子占相邻的两个角,同以小目的四线一方指向白棋,称为“相小目”。其特点是把着眼点集中在一方。

星小目

黑1、3用星和小目占相邻两角,称为“星小目”

对战心态

修身养性,切忌浮躁

棋手实战时觉得局面都已占优,注意力不集中的情况下出现昏招,形势顿时翻盘。接下来绝大多数棋手会立即要求再来一盘以求“报仇”,但是接下来的对局心态已失去了平常心,于是连下连败以致一败涂地。

具备谋略心机

谋略是为创造有利条件而实行的全盘性行动的计划和策略,也就是创造致胜条件。这需要长期的对弈、总结、打谱的积累。

1、真正的进攻就要有收获,就要使局面朝着有利于自己的方向发展,这叫做攻有所获。

2、单纯的防守不好,具有反击的防守才真正具有威力,这叫做守中有攻。

3、在面对可能出现两种有利局面的时候,选择最大程度有利于自己取得胜利的局面。在面对可能出现两种不利局面的时候,选择最小程度不利于自己的局面。

4、寻找出进攻的机会和线路,熟练地运用各种技战术,使局面朝理想方向发展,这叫做捕捉战机。

5、中局作战过程中,要时常对当前局面有清醒地认识,该攻则攻 ,当守则守,进攻的线路,防守的要点,都在审局度势的范围之中。

6、多算胜,少算不胜。

工具推荐

书籍

1、《围棋入门一月通》 邱百瑞·著

2、《围棋入门(修订版)》翟燕生,徐莹主编

3、《围棋入门(围棋自学速成宝典)》李烨·著

软件

星阵围棋

星阵围棋是行业内知名的AI围棋对弈平台,曾与世界围棋冠军柯洁对战,并多次获得世界围棋AI大赛冠军。目前星阵围棋已推出手机端软件、iPad软件, 也可以使用电脑网页版。

弈城围棋

弈城围棋网成立于2005年,是老牌知名围棋平台,主要功能有:各大围棋赛事现场直播、职业棋手全程讲解、Al分析、Leela Master. Leela Zero、Elfgo、 Minigo全程为棋迷提供对弈分析,查看实时胜率,Al复盘,随时邀请各国棋迷在线对弈。

忘忧围棋

忘忧围棋是一款专门针对手机用户而自主研发的人工智能人机对弈围棋游戏, 拥有较强的棋力并附带近七万局名手对局棋谱,是世上最完善的棋谱库。同时忘忧围棋还提供围棋比赛直播功能,可以观看职业棋手比赛的现场直播。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"围棋起源于中国,中国古代称为“弈”,距今已有4000多年的历史。","id":""},{"type":"text","text":"围棋使用矩形格状棋盘及黑白二色圆形棋子进行对弈,棋子必须走在空格非禁着点的交叉点上,双方交替行棋,落子后不能移动或悔棋,以目数多者为胜。","id":""}],"text":"","id":"doxcnkKAsYYYAIQOCaOQVBu3e7f"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"围棋组成","id":""}],"text":"","id":"doxcn22yWEoSk2u0EARXnbuqdhe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"棋盘","id":""}],"text":"","id":"doxcn6is28QqW2cIigHbsXMrzff"},,"attrs":{"height":585,"note":[{"type":"text","text":"棋盘","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/b84c3fb5cb444ece9ed51961caea279d","width":587},"text":"","id":"doxcn0yq0aIgAAgu8s98rORsGIh"},{"type":"paragraph","children":[{"type":"text","text":"围棋盘是方形的,由纵横各19条线组成。19╳19形成了361个交叉点。上有九个星,最中间的称“天元”,“元”是第一的意思,“天元”意为天空最高点。","id":""}],"text":"","id":"doxcnogcmeCOGCeiiKOD16az2nh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"棋子","id":""}],"text":"","id":"doxcnyua6cUyUsysWi4eOlOQZrd"},,"attrs":{"height":633,"note":[{"type":"text","text":"棋子","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f01e55bf9ee040f99371e73059ab709b","width":777},"text":"","id":"doxcneMEg8AqCyS8coJQUi56znh"},{"type":"paragraph","children":[{"type":"text","text":"围棋的棋子分为黑白两色,黑子181枚,白子180枚,黑白子加起来是361枚,恰好和棋盘的点数相同。","id":""}],"text":"","id":"doxcnSIe06U4aaKSGGgBmDDrMLd"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"围棋规则","id":""}],"text":"","id":"doxcnsIaSMmYcESQ4oVuCCSCffe"},{"type":"paragraph","children":[{"type":"text","text":"对局双方各执一色棋子,空枰开局,黑先白后,交替着一子于棋盘的点上。棋子下定后,不再向其他点移动。轮流下子是双方的权利,但允许任何一方放弃下子权而使用虚着。","id":""}],"text":"","id":"doxcnyKSCsMAUiIgy0exb1eFT4d"},{"type":"paragraph","children":[{"type":"text","text":"一个棋子在棋盘上,与它直线紧邻的空点是这个棋子的“气“”。直线紧邻的点上如果有同色棋子存在,这些棋子就相互连接成一个不可分割的整体。直线紧邻的点上如果有异色棋子存在,此处的气便不存在。棋子如失去所有的气,就不能在棋盘上存在。 ","id":""}],"text":"","id":"doxcn6waWKMOUgGYUUZiV8Uz5Ng"},{"type":"paragraph","children":[{"type":"text","text":"把无气之子清理出棋盘的手段叫提子。提子有二种:下子后,对方棋子无气,应立即提取对方无气之子。下子后,双方棋子都呈无气状态,应立即提取对方无气之子。","id":""}],"text":"","id":"doxcn8C2iaAyeAOO6WSedhU3plh"},{"type":"paragraph","children":[{"type":"text","text":"棋盘上的任何一点,如某方下子后,该子立即呈无气状态,同时又不能提取对方的棋子。这个点叫做“禁着点”。","id":""}],"text":"","id":"doxcnKIosCiqW80kcQnYVC6K1Tb"},{"type":"paragraph","children":[{"type":"text","text":"棋局下到双方一致确认着子完毕时,为终局。对局中有一方中途认输时,为终局。双方连续使用虚着,为终局。","id":""}],"text":"","id":"doxcnsUiEmoGWwEwKaGiQY3mVqg"},{"type":"paragraph","children":[{"type":"text","text":"终局时,经双方确认,不能被提取的棋都是活棋。终局时,经双方确认,能被提取的棋都是死棋。","id":""}],"text":"","id":"doxcnWQ4ciUOumAUiiMuJDsS6yb"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"围棋术语","id":""}],"text":"","id":"doxcnu6A88eAIcI8cQvYVpTjk6e"},{"type":"paragraph","children":[{"type":"text","text":"围棋术语是在围棋中用来表达某些特定概念和词语的称谓,它囊括了围棋的专用名词、理论知识以及竞赛规则和对局经验的许多内容,既是中国围棋文化千百年来不断发展的产物,也是人们学习围棋应该掌握的基本常识。","id":""}],"text":"","id":"doxcnmEaiCs2yS2yMwhGdUtBCDe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"基本概念","id":""}],"text":"","id":"doxcnmCISIGY4YK4M87y1rhXExe"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"气","id":""}],"text":"","id":"doxcnsE84yay6WUWAIYeAn5G0fb"},{"type":"paragraph","children":[{"type":"text","text":"在棋盘上,棋子与它直线紧紧相邻的空交叉点,就是这个棋子的“气”。单独一个棋子的气数不超过四气,但两个或两个以上相连的棋子则可以有四气以上。棋子若失去所有的气,就成为死棋,不能在棋盘上存在。","id":""}],"text":"","id":"doxcnGiCoCis4ic6oAZhoM73WFf"},,"attrs":{"height":348,"note":[{"type":"text","text":"基本概念","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/fc2d4ef8756e48ca987a4fd073bd493c","width":617},"text":"","id":"doxcngA4OoKa6MWQ86mdwYYFUxh"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"目","id":""}],"text":"","id":"doxcnu4gQMaGWEOeg2n7xVfyhse"},{"type":"paragraph","children":[{"type":"text","text":"棋盘上,被一方棋子所围地域的空交叉点,称之为“目”。一个交叉点即是1目,目的数量称为“目数”。","id":""}],"text":"","id":"doxcnUMkW264GEoOCWqeQo5vdKb"},,"attrs":{"height":322,"note":[{"type":"text","text":"基本概念","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/cb34c20359404727a3c2e62bf1aeeb5f","width":298},"text":"","id":"doxcnOGEmEMoWe6Ge2yL7OUxykb"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"空","id":""}],"text":"","id":"doxcnWcSy06SQwYyeGERyFcbM0e"},{"type":"paragraph","children":[{"type":"text","text":"用棋子围成的地域。","id":""}],"text":"","id":"doxcnEC8Oca0oCSSYklbbtTCeKg"},,"attrs":{"height":304,"note":[{"type":"text","text":"基本概念","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/ce14fd87770645ef8ce7913e47570785","width":842},"text":"","id":"doxcn8CQQ60cEcAIoewuGkdewVe"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"地","id":""}],"text":"","id":"doxcnwOgwmiewkG8wO8OqWPfxFh"},{"type":"paragraph","children":[{"type":"text","text":"(1)即地域或空。指已为某方占有的地区。","id":""}],"text":"","id":"doxcnayGYsOaaASciY3bWiYfUpe"},{"type":"paragraph","children":[{"type":"text","text":"(2)形势判断用语。如“黑地六十目”,即指黑方可望在全局围有六十目的地域。","id":""}],"text":"","id":"doxcnuO04YcqkkwMWiGYUWScyih"},{"type":"paragraph","children":[{"type":"text","text":"(3)指占有子和“空”的总和。即棋子围有的全部交叉点。","id":""}],"text":"","id":"doxcno2QsE0686WycSm3s6h4kze"},{"type":"paragraph","children":[{"type":"text","text":"所包围的目数和活棋本身之总和,称为“地”。","id":""}],"text":"","id":"doxcnOqgoi6cWomAIkT6HS5dmHc"},,"attrs":{"height":402,"note":[{"type":"text","text":"基本概念","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/1b7f3874e83b43ce959fb81022f99325","width":684},"text":"","id":"doxcnYOo4O8iC0owO2L5AZzRp5f"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"提子","id":""}],"text":"","id":"doxcneyi4iGYkQ0YqOw9rerucrd"},{"type":"paragraph","children":[{"type":"text","text":"将对方无气的棋子从棋盘上取下,称为“提子”。","id":""}],"text":"","id":"doxcnqCYeIi22Ge2WO67HeokUle"},,"attrs":{"height":635,"note":[{"type":"text","text":"基本概念","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/1e5f25912b754de295e22f46d2f3c6d2","width":600},"text":"","id":"doxcnCwYyIkACkSm62njquwFhJg"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"打劫","id":""}],"text":"","id":"doxcnEUGSI4UAmyIMmUmG3RsPrd"},{"type":"paragraph","children":[{"type":"text","text":"双方可以轮流提取对方棋子的情况。围棋规则规定,打劫时,被提取的一方不能直接提回,必须在其他地方找劫材使对方应一手之后方可提回。","id":""}],"text":"","id":"doxcn0mUSCMwI2qyA6ZqBrzZOrc"},,"attrs":{"height":282,"note":[{"type":"text","text":"基本概念","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2bd114a713e1461c88706f73df2399b8","width":301},"text":"","id":"doxcnq6MiKAogQywI8rP2YyURxf"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"真眼","id":""}],"text":"","id":"doxcnYKoc6kiwA6MK8Tr55t1Hif"},{"type":"paragraph","children":[{"type":"text","text":"由几个连接在一起的棋子围住一个或两个空交叉点,则称该点为真眼,简称“眼”。","id":""}],"text":"","id":"doxcnG6wyYi0oCK8yQH49BSvUbd"},,"attrs":{"height":208,"note":[{"type":"text","text":"基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在攻击中完全歼灭对方一片棋的情况是不多的,多是通过攻击获得其他好处,其中之一即是扩展自己的领地,巩固己之本来不稳固的领地,也通过攻孤棋来达到目的。 通过连续攻击压迫敌棋边角,也加强自己的外势,但要分析、计算好,在什么形势下有利,什么形势下不利。","id":""}],"text":"","id":"doxcnIsOG4wK2KyEuQ3zxUqbS8d"},{"type":"paragraph","children":[{"type":"text","text":"从发展来看,治理孤棋首先考虑的是向中央出头。不能出头,被封住往往是吃亏的,除非逃不出时才行此下策。","id":""}],"text":"","id":"doxcnEIwcAOM2cO6wucALeRD7Og"},{"type":"paragraph","children":[{"type":"text","text":"当遇到攻击,无法向中央出头时,有机会、有条件时可以联络到自己另一块棋上去。","id":""}],"text":"","id":"doxcn0ag8IAmE4eUQGCP5JeRkYb"},{"type":"paragraph","children":[{"type":"text","text":"如出头和渡过均不可能时只得就地求活,如单独活不成,则争取双活,如果双活亦不成时,应停止这一带的活动,停止得越早越好。","id":""}],"text":"","id":"doxcniISGEy4qwS4uGBg5Lg6Tob"},,"attrs":{"height":414,"note":[{"type":"text","text":"中局战略","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/99573fb416a5423e886c956d61c08bb8","width":685},"text":"","id":"doxcnYCICEWCqGG6CYt9QqBHBAd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"缩小眼","id":""}],"text":"","id":"doxcnyk8ySMgGSs4C2HlEQk8qFd"},{"type":"paragraph","children":[{"type":"text","text":"从周围挤压对方的棋的生存空间,使它不能有做成两只真眼的空间。","id":""}],"text":"","id":"doxcngwu44G8kkgEyi21WKFtqXg"},,"attrs":{"height":407,"note":[{"type":"text","text":"缩小眼","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/4db50b42ae1a4afe90a5fc57cd99861f","width":747},"text":"","id":"doxcngUGGcQaKieMwO2zBSJtBMd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"点中心点","id":""}],"text":"","id":"doxcnQCAcmegQiW0UCejTephuxh"},{"type":"paragraph","children":[{"type":"text","text":"对方有一个中心点是做眼的要点,一旦被对手抢先,就能做出两个或两个以上的真眼。比如直三、弯三、刀把五、梅花六,这些棋形的中心点就是杀棋的要点。","id":""}],"text":"","id":"doxcngsQkMKUaIckWGOU6E2bnhc"},,"attrs":{"height":444,"note":[{"type":"text","text":"点中心点","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/324dcc252b194e1884e24356144b0846","width":383},"text":"","id":"doxcnYuWcioQwGqGoiYLSRPE3ac"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"打劫杀","id":""}],"text":"","id":"doxcnS0UUEuM6yEgI0nQaXLEAzy"},{"type":"paragraph","children":[{"type":"text","text":"在不能净杀的情况下,可以通过打劫来杀死对方,职业棋手往往擅长利用劫争一举获得优势。所以有时双方棋形的厚薄,劫材的多少,也是一盘棋的胜负关键,往往多一枚劫材就决定了大盘的胜负。","id":""}],"text":"","id":"doxcnMGmcK0maaQaaA3tL3gXRIb"},,"attrs":{"height":304,"note":[{"type":"text","text":"打劫杀","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f3a8afe070e64febaf2cc2ffe57cce73","width":319},"text":"","id":"doxcnUqqmeemwia0sN7kKYLatrH"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"胀死牛","id":""}],"text":"","id":"doxcnOumUaoYIYOQq4GAZov7Ofb"},{"type":"paragraph","children":[{"type":"text","text":"将对方点眼的棋子的外气全部紧完,在对方虎口里走一子,然后打吃对方,使对方不能连,将其胀死,称为“胀死牛”。","id":""}],"text":"","id":"doxcnCKcMCsgci0mEOyCtKdDKAh"},,"attrs":{"height":491,"note":[{"type":"text","text":"胀死牛","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/664e00b06574407380b4551412ce31f4","width":474},"text":"","id":"doxcn62iQCq62MOUYwrjJIBTGzf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"布局常识","id":""}],"text":"","id":"doxcneKUaiGss6AiAW8RvnzxmJb"},{"type":"paragraph","children":[{"type":"text","text":"布局指围棋的开局走法,一般在几手到几十手的范围内。局棋的进行一般由布局、中盘、官子三个阶段构成,布局作为一局棋的初始阶段,奠定了整个棋局的骨架与脉络。对局双方各自抢占棋盘上的空地,同时尽量阻止对方占地,由此导入中盘战斗。围棋有谚语“金龟银边莫肚皮”即以国突效率而言魚上最高、中腹最差。","id":""}],"text":"","id":"doxcnuO4uMY4qsI4C6B1lNnN84c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"围棋基本布局 ","id":""}],"text":"","id":"doxcncOesCUmmaKkmgXvTDlcmFg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"三连星","id":""}],"text":"","id":"doxcnMW6aCiAeayWw44RLYO0FHb"},{"type":"paragraph","children":[{"type":"text","text":"即在边上星位连下三颗子,这一布局极易成大模样。对于另一方来说,必须有“钻地道\"和\"拆天桥”的能力,否则必败无疑。 由于三个子都处在第四线上,故这种布局的侧重点不是占角,而是向中央发展。三连星的用意在于取势或构成模样,中央是它的主要战场,这是三连星的特征。 ","id":""}],"text":"","id":"doxcn2aOYq0k4Y68AyM1U6DKYoe"},,"attrs":{"height":496,"note":[{"type":"text","text":"三连星","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6b5d10c42ce64f8bbb0827727dff8d2e","width":530},"text":"","id":"doxcnSC2MiGak46eocnQEicDFuh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"二连星","id":""}],"text":"","id":"doxcnQ4MgMqogI2GwgVGVqS2wsg"},{"type":"paragraph","children":[{"type":"text","text":"较之三连星,二连星更为灵活多变,速度也快,并可视局部变化取地或取势,而不像三连星那样很容易就走上单一取势的道路。","id":""}],"text":"","id":"doxcnYiSyieaMQKsovJKOhesOgK"},,"attrs":{"height":537,"note":[{"type":"text","text":"二连星","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2736b097837a4d22bd444b46a56b9194","width":561},"text":"","id":"doxcn8qASQ80YGysWyWChdgTJCf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"中国流","id":""}],"text":"","id":"doxcneUWo2M806EEiqyLYO7E4zx"},{"type":"paragraph","children":[{"type":"text","text":"它的外形与三连星相似,如果把它放平了看,有一种“桥”的感觉,因此在中国也叫做桥梁式布局。","id":""}],"text":"","id":"doxcnUMmagius6WaIzgLUy2xymI"},,"attrs":{"height":584,"note":[{"type":"text","text":"中国流","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/bb8a68c8ff56486e9061c0f993d249a3","width":580},"text":"","id":"doxcnmqQqQceSgkkAo7MimsSr6e"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"相小目","id":""}],"text":"","id":"doxcneIq2M4y2kQC8ucslCtq0zh"},{"type":"paragraph","children":[{"type":"text","text":"黑1、3子占相邻的两个角,同以小目的四线一方指向白棋,称为“相小目”。其特点是把着眼点集中在一方。","id":""}],"text":"","id":"doxcnIiyWmk2UG2Ew8p4Gpuc60f"},,"attrs":{"height":498,"note":[{"type":"text","text":"相小目","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/2d780642d3c34e209541d8dcb9c31f9c","width":584},"text":"","id":"doxcn0u24CiGOgEcMk1rkA8sIjc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"星小目","id":""}],"text":"","id":"doxcnyYE28YM6cgICGKWBn0fLac"},{"type":"paragraph","children":[{"type":"text","text":"黑1、3用星和小目占相邻两角,称为“星小目”","id":""}],"text":"","id":"doxcnyWsEoKsICAYU6jEL0Ufrqd"},,"attrs":{"height":547,"note":[{"type":"text","text":"星小目","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/0c2c346389184b2f9867c93d9362ad39","width":568},"text":"","id":"doxcnkGQeU6Iey80GKEAmw6o3Jb"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"对战心态","id":""}],"text":"","id":"doxcnSqqk6AuuEqmoio3C8o0LId"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"修身养性,切忌浮躁","id":""}],"text":"","id":"doxcnOEymm0oiWYMgWkjekxeqhf"},{"type":"paragraph","children":[{"type":"text","text":"棋手实战时觉得局面都已占优,注意力不集中的情况下出现昏招,形势顿时翻盘。接下来绝大多数棋手会立即要求再来一盘以求“报仇”,但是接下来的对局心态已失去了平常心,于是连下连败以致一败涂地。","id":""}],"text":"","id":"doxcnOaw4MCYW20sEv1TEfhjWmG"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":" ","id":""},{"type":"text","text":"具备谋略心机","id":""}],"text":"","id":"doxcn6iKwmeI006iAsJPAdNgHoh"},{"type":"paragraph","children":[{"type":"text","text":"谋略是为创造有利条件而实行的全盘性行动的计划和策略,也就是创造致胜条件。这需要长期的对弈、总结、打谱的积累。","id":""}],"text":"","id":"doxcncmG8UK408cGWyW8RPUErdh"},{"type":"paragraph","children":[{"type":"text","text":"1、真正的进攻就要有收获,就要使局面朝着有利于自己的方向发展,这叫做攻有所获。","id":""}],"text":"","id":"doxcn8oEECKQm2iggEn8qlkJPpc"},{"type":"paragraph","children":[{"type":"text","text":"2、单纯的防守不好,具有反击的防守才真正具有威力,这叫做守中有攻。","id":""}],"text":"","id":"doxcn4WaEqA28IYoqk9sKLehUqb"},{"type":"paragraph","children":[{"type":"text","text":"3、在面对可能出现两种有利局面的时候,选择最大程度有利于自己取得胜利的局面。在面对可能出现两种不利局面的时候,选择最小程度不利于自己的局面。","id":""}],"text":"","id":"doxcnWWkogwikM4GOum3U7IZorf"},{"type":"paragraph","children":[{"type":"text","text":"4、寻找出进攻的机会和线路,熟练地运用各种技战术,使局面朝理想方向发展,这叫做捕捉战机。","id":""}],"text":"","id":"doxcna0ccwsKkwCc4MpwkLEdFWf"},{"type":"paragraph","children":[{"type":"text","text":"5、中局作战过程中,要时常对当前局面有清醒地认识,该攻则攻 ,当守则守,进攻的线路,防守的要点,都在审局度势的范围之中。","id":""}],"text":"","id":"doxcnuwyS444OQqmOMjMFQIF6ac"},{"type":"paragraph","children":[{"type":"text","text":"6、多算胜,少算不胜。","id":""}],"text":"","id":"doxcnyMc86AawemMOSYYnLv3pod"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"工具推荐","id":""}],"text":"","id":"doxcn8UoQEi2SaMkMkbMQqB5eFe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"书籍","id":""}],"text":"","id":"doxcnQ8A0o0CwC6IyY3IodkYv4J"},{"type":"paragraph","children":[{"type":"text","text":"1、《围棋入门一月通》 邱百瑞·著","id":""}],"text":"","id":"doxcnY6IOKCkAwQ6EKQqY5H0rNc"},,"attrs":{"height":811,"note":[{"type":"text","text":"书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f570a45b665248c1ac82961f2033c981","width":639},"text":"","id":"doxcnqYaWuqIS8UoskjOqprqOid"},{"type":"paragraph","children":[{"type":"text","text":"2、《围棋入门(修订版)》","id":""},{"type":"text","text":"翟燕生","id":""},{"type":"text","text":",徐莹主编","id":""}],"text":"","id":"doxcn4GmCK44Oe8SOw1x3krWLAf"},,"attrs":{"height":495,"note":[{"type":"text","text":"书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3c7c99ebf5c44253b3040f31a61736a3","width":334},"text":"","id":"doxcnyUGe8SKwEu0Ug3ieiFuy6c"},{"type":"paragraph","children":[{"type":"text","text":"3、《围棋入门(围棋自学速成宝典)》李烨·著","id":""}],"text":"","id":"doxcn26WueiyeCykOIJlDR0AqGh"},,"attrs":{"height":692,"note":[{"type":"text","text":"书籍","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/4d162b76a9784cc68de36715b4eeeda6","width":534},"text":"","id":"doxcn0mEyOMOM0Guic9gH53Evle"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"软件","id":""}],"text":"","id":"doxcnwawuoOWammUo6ZTUDwQv8d"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"星阵围棋","id":""}],"text":"","id":"doxcnie2KkkOYgiwuOGeCVMwvyd"},{"type":"paragraph","children":[{"type":"text","text":"星阵围棋是行业内知名的AI围棋对弈平台,曾与世界围棋冠军柯洁对战,并多次获得世界围棋AI大赛冠军。目前星阵围棋已推出手机端软件、iPad软件, 也可以使用电脑网页版。","id":""}],"text":"","id":"doxcnuWmUQyOMwowmwScTNWDaiC"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"弈城围棋","id":""}],"text":"","id":"doxcn00Qu8MMI6wMgwPKeLzbjac"},{"type":"paragraph","children":[{"type":"text","text":"弈城围棋网成立于2005年,是老牌知名围棋平台,主要功能有:各大围棋赛事现场直播、职业棋手全程讲解、Al分析、Leela Master. Leela Zero、Elfgo、 Minigo全程为棋迷提供对弈分析,查看实时胜率,Al复盘,随时邀请各国棋迷在线对弈。","id":""}],"text":"","id":"doxcnaIY4kWkYqWQaqM1xK1HHgb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"忘忧围棋","id":""}],"text":"","id":"doxcnEo0WWqYI4S46K6uML3OESc"},{"type":"paragraph","children":[{"type":"text","text":"忘忧围棋是一款专门针对手机用户而自主研发的人工智能人机对弈围棋游戏, 拥有较强的棋力并附带近七万局名手对局棋谱,是世上最完善的棋谱库。同时忘忧围棋还提供围棋比赛直播功能,可以观看职业棋手比赛的现场直播。","id":""}],"text":"","id":"doxcna6CwQIG22u28GFHJPOI4Z6"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnGeKK0sUooA4MALq0CIJHTf"}]%3C%2Fhowto_content%3E

cw198

穿衣仅仅是用几套衣服配搭出多种穿衣方法吗?仅仅是1+1=2的简单加和吗?NO!要真正达到穿衣的精髓,真正穿出美丽,引来赞赏与回头率,就需要好好地探求一下穿衣的道理。

注意色彩搭配

色彩,是影响搭配第一印象的关键因素。掌握色彩的概念和搭配分类,至关重要哦。

一般而言,服装的色彩除了指服装的上下、里外色彩之外,还包括服饰配件(帽子、包、项链、手链等)的色彩。服装的主色调给人第一感觉,使人产生直观印象和深刻的记忆,能够充分体现穿着者的性格特征和情感。

服装色彩的搭配贵在和谐,这是一种整体效果,反映穿着者内在各个方面的有机联系。为了与不同的场合、环境、用途、个人爱好等协调,在运用服装色彩时,可通过不同的手法,比如对比与调和,来增强服装的视觉反差和韵律感,或者使之产生优雅平静的穿着效果。

应该注意,现代服装色彩美感的营造,无论是对比强烈,还是柔和素雅,都力求在色彩的组合上来实现。从服装设计的观点上来说,颜色搭配得好坏,最能表现一个人对服装鉴赏能力的高下。而我们的外表,除了对镜的一刻之外,大部分时间是由别人来欣赏评鉴的,因此,舍弃个人主观的喜好,以客观的标准来决定颜色的搭配,乃是穿衣艺术的第一要诀。

配色技巧

单色配色

生活中,服装给人的印象首先是由各类色彩构成的。单色搭配是服装配色中的重要组成部分,所形成的是具有较高的审美情趣,给人稳重、成熟的感觉,一般职业女性多选择此类搭配。

不少人都喜欢穿单色的衣服,特别是对于一些崇尚极简生活的人,更是这样。不过,即使是单色搭配,也是能搭配出花样来的;而且,在服装色彩搭配界,好的单色搭配可是最高级的一个搭配方法。

其实,对于单色搭配,对于关注时尚的人来说并不陌生;比如在很多T台走秀上,单色搭配的应用就非常多,单色搭配使看的人眼睛不累,会感觉很舒服。单色搭配选择颜色时,颜色首先要适合自己,一般以中性色为主。单色搭配时颜色单一,但是要注意衣服质感的差异。单色需凸显面料的质感、层次感,因此衣服和配饰必须选择不同质感、肌理相搭配,质感差异需大于等于3种。下面就是单色搭配的例子,供大家参考。

二色配色

二色配色能形成层次感,它是生活中最常见的配色方法。

二色配色主要通过明度、色相、纯度这3种色彩属性的变化来实现。

在二色构成的服装中,通过运用明度对比,可以使亮色更亮,暗色更暗,使服装与附件之间、上下装之间、内外装之间构成明快、活跃的气氛。由于色彩对比存在着轻、重,软、硬,冷、暖等变化,所以赋予人以忧郁、沉稳、质朴、兴奋等各种感情色彩。

运用色相对比,常构成色彩的冷暖对比。比如红色与蓝色相配时,红的更红,更偏暖;而蓝的更蓝,更偏冷,这是非常明显的冷暖对比调。而黄色与红色相配时,黄色有带橘色的感觉,形成暖调;但黄色与蓝色相配时,则形成冷暖对比调。

在运用色相对比时,色彩面积大小直接影响色调倾向,可采用大面积冷(暖)色与小面积暖(冷)进行组合。

纯度间的配色是以色彩纯度变化为主的鲜色调,含灰色调。灰色调的服装色彩的组合形式,其实就是在两种色彩中混入相同的灰色或黑色,使对比色彩具有柔和效果。

多色配色

在服装的整体色彩组合关系中,包括了诸多的因素,内衣、外套、下装、配件、首饰等,它们各有其不同的色彩特征。多色配色方法就是运用谐调、统一的原理,使不同的色彩组合在一个统一体中。

多色配色最关键的是抓住主色调。抓住主色调好比抓住一首乐曲的主旋律,设置一个最大面积的大色块或几个相同色块,然后适当配置小面积的辅助色、点缀色、调和色等,这样既突出了重点,强调了色调,又显得丰富多彩。此外,也不应忽视色彩与色彩之间的内在联系,这种联系从色调角度来考虑可以归纳为以下4种∶

1.明亮、浅色组合。适当配置少量深色或艳色,比如米黄、棕黄、深褐色。

2.暗色组合。在深色和黑色组合中适量加入少许浅色或艳色,比如深蓝、蓝黑、粉红色。

3. 中间色组合。在灰色(含各种色彩)系列中,适当配以一些深色、浅色或艳色,比如蓝灰、烟灰和淡紫色。

4. 艳色组合。纯度高的色彩中掺入少量含灰或黑白灰色彩,比如大红、室石蓝、茶色。

在选择色彩时,最好不要超过3种。

类色和类似色

同类色与类似色看似相像,其实完全不同。

同类色就是其本来面貌都是相同的,只不过由于渐次加入黑、白、灰,形成了深浅不同的色彩。比如黄色就有浅黄、黄、中黄、深黄等,红色有粉红、红、大红、深红等,这些色彩都被冠之以同类色。同类色是最单纯、最朴实的色彩关系,在服装的色彩搭配中,利用其深浅明暗的变化进行组合,能够产生协调效果。当你选色没有把握时,可优先考虑这类色彩。

色彩相貌相似的色彩被称为是类似色,好比双胞胎兄弟,不过是一种色彩,由于各自含有不同的色彩成分而产生了变化。比如红色,分别掺入适量的黄色和橘色,就形成橘黄色和橘红色,这两种色彩就是类似色,它们分别含有红色这个“基因”。其他如黄与绿、青与绿、青与紫都是类似色。

类似色的搭配效果是很柔和的,它没有强烈的对比味,所以极易搭配并很协调。

着装技巧

身型扬长避短

根据身型特点选择款式,扬长避短也是搭配很重要的作用哦。不用减肥也能有显瘦显高。

T型身材

有小肚腩

腿短搭配

搭配误区解答

多年搭配培训经验,面对很多姑娘们关于搭配技巧的提问。其中很多是搭配误区哦,总结给你们。

由浅入深,穿衣有三层境界:第一层是和谐,第二层是美感,第三层是个性。

经典很重要,时髦也很重要,但切不能忘记的是一点匠心独具的别致。

不要太注重品牌,这样往往会让你忽视了内在的东西。

绝没有所谓的流行,穿出自己的个性就是真正的流行。

优雅的衣着有温柔味道,但对于成熟的都市女子来说,最根本的是高贵和冷静。

一件品质精良的白衬衫是你衣橱中不能缺少的,没有任何衣饰比它更加能够千变万化。

场合穿搭法

搭配,不仅仅要满足喜好,符合场合需要的形象气质,也是我想分享给你们的。比起盲目的穿着时髦,穿衣风格才是最应该学的一堂课,不同的穿衣风格对应不同的场合。上班通勤,上班时间就不能太过随意,不管你从事什么行业都要有专业度,不要穿着过于休闲的服装。

尤其是破洞太大,露肩太夸张的衣服。

当然,如果你是时尚博主类的就可以。

在鞋子的搭配上要避免拖鞋,如果是今年流行的包头穆勒拖鞋可以酌情选择。

避免露出过多的皮肤,低胸装这样的衣服还是要避免,办公室尽量低调优雅。

着装尽量简单利落,如果从事金融、律师等行业,那么着装就尽量以正装为主。投资几套质感比较好的西装和衬衫,不需要太多去更替,给人以实干的印象。

当然,也可以选择套装来搭配。颜色选择黑、白、灰一定不会错,杨幂、刘涛在电视剧中的穿搭 非常适合宝宝们借鉴。

如果从事的工作氛围比较轻松,着装相对可以不那么严肃。白色,裸粉,浅蓝等,这些偏柔和的色系都可以尝试。

可以搭配一些亮色的配饰,例如包包、丝巾、首饰等等,给职业装带来一些活力。

不要穿不合身的衣服,oversize和睡衣西装虽然很流行,但真的不适合职场氛围,只会让你看起来很邋遢没有精神。

职场必备的衬衣一定要有,没有过多设计的经典款衬衫,才最适合职场,投资5、6件质感好的衬衫非常重要。职场中,穿裤装也是比较多。不管是直筒,小脚,阔腿裤都是职场利器。

记得要选择版型垂顺硬挺的,质感很重要哦。

长款的阔腿裤,可以把高跟鞋藏在里面,看起来腿又长又直。

小个子的姑娘也可以选择露出脚踝的款式。

记得要找高腰的把上衣塞进裤子里

职场裙装首选铅笔裙和直筒裙,看起来优雅得体,记得长度不要高于大腿中部噢。

出门逛街或者是外出旅行,都是你放飞自我的时间,可以选择自己喜欢的单品,任意搭配。

当然时髦单品里,也有百搭又不容易出错的。例如短夹克,短夹克这件单品本来就很显高,搭配牛仔裤就OK啦,小个子最好选择九分长度,露出脚踝。

帅气十足的短夹克,也可以和各种裙装碰撞在一起,搭配短裙,瞬间减龄哦。

对于职场女人来说,我们的形象非常重要,它永远都是走在能力前面的,所以穿搭是每天上班前必须关注的事。上班想要穿得得体又不乏味,有时候还是非常考验我们搭配功力的。

整体来说,职场穿搭,简洁利落就好,质感过关,剪裁合身,不用费力去追赶时髦,优雅知性又不乏温柔女人味就最好了,注重细节的处理,为自己的着装加分。今

款式的搭配

小西装+烟管裤

春季是非常适合穿小西装的季节,选择修身利落的小西装来搭配干练显瘦的烟管裤,分分钟穿出优雅气质范。黑色小西装,对于微胖的女生格外友好,也是经典的百搭单品,搭配浅色系衬衫或针织衫,会显得不那么高冷刻板,下装选择黑色烟管裤,整体的搭配,特别显瘦利落,是职场中最不容易出错的搭配了。

毛衣+一步裙

最近的天气特别适合穿毛衣,今年流行叠穿法,就是毛衣与衬衫叠穿起来,显得时尚了很多,也让职场穿搭变得有趣起来。灰色毛衣与暖灰色衬衫叠穿,露出衬衫的领口与衣角,增加了层次感,同色系的搭配看上去显得高级,下装选择黑色的一步裙,内敛而高雅,也温柔有女人味。

针织衫+牛仔裤

如果我们平时上班对穿搭没有特殊的要求,可以尝试下简约的针织衫与牛仔裤的搭配,舒适减龄,同时也雅致温柔。酒红色针织衬衫,热烈醒目的颜色更容易衬托出好气色,搭配简单的牛仔裤,简约而低调,给人的感觉很舒服。

衬衫+西装裤

衬衫是职场中不可或缺的单品,想要穿得得体不乏味,我们可以选择有设计感的衬衫,比如V领或飘带领的衬衫,质地也可以选择轻盈有垂坠感的雪纺,这样显得更有质感。白色飘带领雪纺衬衫搭配黑色西装裤,经典的配色,不会过时,飘带领的设计增加了优雅的味道,有些法式风的搭配。

风衣+牛仔裤

春季衣橱里一定要有一件风衣,无论是卡其色、驼色、黑色都可以,这样经典的单品怎么穿都挺有范的。风衣搭配牛仔裤,不太挑人,只要我们选择适合自己的风衣服款式就OK了。小个子女生建议选择H型的中长款风衣,不拖杳,利落简洁,显高显瘦,搭配直筒牛仔裤,简约而大气。高个子女生不妨试试廓形的长款风衣,搭配铅笔牛仔裤,走路带风的洒脱感,特别有范。

颜色的搭配

职场女生在穿搭时,颜色搭配非常重要,想要得体不乏味,我们除了经典的黑白灰搭配之外,增加一些低调高级的莫兰迪色系搭配会显得优雅温柔很多。安静沉稳的雾霾蓝衬衫搭配灰色格纹烟管裤,配色知性优雅,不浮夸,低调却显得高级,职场这样穿,显得格外气质。淡淡的樱花粉衬衫搭配米色阔腿裤,雅致减断,很女人味,也保留着一丝丝清甜的少女感,很好看。

鞋子与包包的搭配

职场中鞋子的选择要利落点,尖头小高跟是不错的选择,既显高挑精神又特别不至于特别累,鞋子的颜色要与衣服相响应,选择与某个单品同色系会带来高级感。对于职场包的选择,线条干练简约,款式板正的包包更适合,包包的大小要与身形相匹配,小个子女生不宜背大包,显得拖沓也压身高。

配饰的选择

职场穿搭要关注的细节,千万别小看配饰的选择,有时候会起到点睛之笔的。手表、耳饰、丝巾、项链可以选择1-2个来搭配组合,款式要精致而简约,这样不仅提升品味和质感,也增加了温柔女人味。

这些实用的职场搭配技巧我们可以收藏起来,掌握它,这一季会变得更加优雅有女人味哦~

男士

相较于女士,男士穿衣搭配就相对简单些。和女装不同,男生的穿搭更讲究化繁为简。那对于男人穿衣搭配来讲,需要有哪些小技巧呢?

合身的衣服是关键

对于男人来讲,也是讲究合身的衣服的,衣服是别人一眼就能看到的外在,所以,你必须穿合身的衣服。如果你穿了不合身的衣服,就算再干净,也会给你一片乱糟糟,而且脏乱的感觉。因此,在去正式的场合的时候,最好是能有几套合身的衣服用来应急,这是最最关键的,因为这不仅关乎到你的形象,有可能也关乎到你的事业和未来,以及爱情。

领带是点晴之物

想要让你的衣服出彩,或者是你的整体出彩的话,那么就好好地在领带上下功夫吧。对于男人来讲,衣服搭配合适的领带是十分关键的。我们要知道,不同的场合要用不同的花色的领带,不同样式的领带。所以男士这点也得有点儿小常识。对于在办公室里来讲,一般是系黑色的丝质的领带最好,不过这种领带不适合正式场合,因为会显得死板。如果你去文化气息较重的地方的话,最好是系点状领带,这会让人一看就有古典气息。年轻一点的人,就用点状较小的,而年龄稍长的就用点状较大的。斜纹领带也是适合年轻男士的,这种领带是白搭,任何场合都算是可以用的。一般情况下,颜色分别多以蓝黄或者是蓝红相间为妙。还有,出门在外,多用窄一些的领带哦。

衣服颜色是保障

对于穿什么颜色的衣服来讲,也是有讲究的。对于一个对自己十分了解的男人来讲,穿一些适合自己皮肤的衣服是最关键的。记得,你选择的衣服的颜色最好和你的皮肤的颜色可以吻合,互相可以有一个映衬,这样,你才会显得更加精神。所以,如果你的皮肤黑,那么就用明亮的颜色或者是浓重的颜色来搭配。如果你的皮肤稍白,那么更加适合柔和的水彩系色,或者是粉色系。记得,在选择衣服的时候,如果你不是和朋友聚会玩耍,那最好是不要穿太多颜色的衣服,而且如果想要搭配两种颜色的衣服的话,也最好是选择同一色系的比较好。还有,如果你穿了西装,那么可能会觉得太正式,这个时候,就可以选择一款比较合适的包包来点缀你。还有记得,穿衣服的时候,不要太紧身,也不要把衣服系得太紧,好象你就是一个棕子似的。

裤子衣着莫忘记

许多人觉得,上身穿得漂亮了,下身马虎点无所谓,可是实际上,这种认知是错误的。对于男人来讲,下身尤其也是女人关注的地方。所以,穿好下身裤子也是十分重要的。通常情况下,穿长度刚好到达鞋底部,又不贴到地面的那种长度的裤子。最好是穿与上身衣服的颜色有所配合的颜色的裤子。这个时候,你要搭配好颜色的皮带。记得,搭配的最佳方式是与你的皮革的颜色保持一致最为妙。因为这个,会让人有一种统一而忠情的感觉。还有就是穿西装的时候,许多男同胞容易忽略了袜子的选择。其实啊,袜子在西装的时候,也很重要的。记得,你的袜子应该到小腿的下部最为妙,因为这样的话,你交叉腿的时候,不易露出来你腿的皮肤,这样会让对方心情愉悦。休闲的时候,袜子可以尽量短。毕竟,这是一种最时下流行的穿法。

皮鞋袜子要重视

鞋子也是男人的最佳皮,尤其是皮鞋。记得,在出门的时候,不要穿那种皱巴巴的皮鞋,让人看着就肮脏而且不舒服。在出门的时候,选择一双干净的而且是平滑的鞋子出门会给你加分不少。还有,记得出门的时候,也要关注一下袜子。对于袜子来讲,尽量穿与裤子的颜色一致的袜子,而不是与鞋颜色一致的袜子。如果西服的颜色较浅,那就穿比西服的颜色深一点儿的袜子就可以了。还有,记得,穿凉鞋的时候,千万不要穿袜子,尤其是凉拖的时候。

关于季节

春秋季

最近天气开始变凉 ,初秋和晚秋的天气不同,所以整体搭配就会不一样。

初秋不算太冷,一个衬衫外套就可以解决。

晚秋偏凉,就需要穿上一些厚重的衣裳。

叠穿效果也是不错的

还有一种穿搭技巧是“上长下短”

这种穿法适合初秋和春天,不仅不会显得过于「浮夸」,也更容易突出男生的「T型」身材,在视觉上更显挺拔,有活力。

冬季

冬天男生该怎么穿,才能兼顾风度和温度呢?对于男生来说,冬天最想买的衣服想必就是大衣了,既保暖,又很有风度,搭配一件百搭的白色针织衫,再搭配一条牛仔裤,时尚又帅气。

冬天穿羽绒服是最暖和的,那些呢子外套、加厚棉衣也都没有羽绒服暖和。北方的冬天可不要小看,就算那些再喜欢讲究风度、不讲究温度的男生和女生,恐怕也要入手买一件羽绒服。外面穿着一件羽绒服,里面穿一件不太厚的毛衣或者衬衣,下面配上一条工装裤,即看不出臃肿也显得时尚!心动不如行动,没有买羽绒服的就抓紧吧!

夏季

男生夏季穿搭可以选择衬衣加短裤,另外条纹的polo衫显瘦能遮掩些身材的缺点,对于矮个子的男生则要注意上下装对比不要太悬殊。

衬衣是许多男士衣橱的必备穿搭单品。西装衬衫是再经典不过的穿搭,其实衬衣也可不搭配西装裤而选择搭配短裤,搭配短裤会让男生更显成熟。如果不喜欢简单单调的白衬衣可以选择花衬衣或者是白色衬衣当中带点图案的衬衣,这样的衬衣就比较有个性,而且穿起来会更加的年轻不死板。

着装配色

为什么同一件衣服别人穿很好看,你穿却差点感觉,那可能是你颜色没搭对。搭对颜色可以让你穿衣事半功倍。

颜色呼应原则

衣服配饰不呼应,分区明显不呼应。任选两区同色系,颜色呼应更帅气。

同色过渡原则

衣服裤子相同色,层次单一很失策。加件打底漏下摆,颜色过渡很出彩。

不超三色原则

衣服杂乱配色多,不好看是你的锅。颜色不要超3种,穿搭这块你最懂。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"穿衣仅仅是用几套衣服配搭出多种穿衣方法吗?仅仅是1+1=2的简单加和吗?NO!要真正达到穿衣的精髓,真正穿出美丽,引来赞赏与回头率,就需要好好地探求一下穿衣的道理。","id":""}],"text":"","id":"doxcnmiOc6woQ6iMMeq5Rm6yzlf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"注意色彩搭配","id":""}],"text":"","id":"doxcn0I2wYqmOkc6CUxGWFLdEge"},{"type":"paragraph","children":[{"type":"text","text":"色彩,是影响搭配第一印象的关键因素。掌握色彩的概念和搭配分类,至关重要哦。","id":""}],"text":"","id":"doxcn4egkicewouCWqyoxANsBuf"},{"type":"paragraph","children":[{"type":"text","text":"一般而言,服装的色彩除了指服装的上下、里外色彩之外,还包括服饰配件(帽子、包、项链、手链等)的色彩。服装的主色调给人第一感觉,使人产生直观印象和深刻的记忆,能够充分体现穿着者的性格特征和情感。","id":""}],"text":"","id":"doxcnsos6uY0C2S2241693CXbvf"},{"type":"paragraph","children":[{"type":"text","text":"服装色彩的搭配贵在和谐,这是一种整体效果,反映穿着者内在各个方面的有机联系。为了与不同的场合、环境、用途、个人爱好等协调,在运用服装色彩时,可通过不同的手法,比如对比与调和,来增强服装的视觉反差和韵律感,或者使之产生优雅平静的穿着效果。","id":""}],"text":"","id":"doxcn62Y6AqQEEy8OrqhvTYFIwj"},{"type":"paragraph","children":[{"type":"text","text":"应该注意,现代服装色彩美感的营造,无论是对比强烈,还是柔和素雅,都力求在色彩的组合上来实现。从服装设计的观点上来说,颜色搭配得好坏,最能表现一个人对服装鉴赏能力的高下。而我们的外表,除了对镜的一刻之外,大部分时间是由别人来欣赏评鉴的,因此,舍弃个人主观的喜好,以客观的标准来决定颜色的搭配,乃是穿衣艺术的第一要诀。","id":""}],"text":"","id":"doxcn0Q4O04wMqu4G4u8EfXgLq4"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"配色技巧","id":""}],"text":"","id":"doxcnUa4SwQayaEeO1Y3vL7gLOo"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"单色配色","id":""}],"text":"","id":"doxcn2Q8geqmuiOyk6T0jATaujd"},{"type":"paragraph","children":[{"type":"text","text":"生活中,服装给人的印象首先是由各类色彩构成的。单色搭配是服装配色中的重要组成部分,所形成的是具有较高的审美情趣,给人稳重、成熟的感觉,一般职业女性多选择此类搭配。","id":""}],"text":"","id":"doxcnwMOGOkyIQQsieyqu9qjBcc"},{"type":"paragraph","children":[{"type":"text","text":"不少人都喜欢穿单色的衣服,特别是对于一些崇尚极简生活的人,更是这样。不过,即使是单色搭配,也是能搭配出花样来的;而且,在服装色彩搭配界,好的单色搭配可是最高级的一个搭配方法。","id":""}],"text":"","id":"doxcnCcWi4cyKyQKW0GvNSHP6iH"},{"type":"paragraph","children":[{"type":"text","text":"其实,对于单色搭配,对于关注时尚的人来说并不陌生;比如在很多T台走秀上,单色搭配的应用就非常多,单色搭配使看的人眼睛不累,会感觉很舒服。单色搭配选择颜色时,颜色首先要适合自己,一般以中性色为主。单色搭配时颜色单一,但是要注意衣服质感的差异。单色需凸显面料的质感、层次感,因此衣服和配饰必须选择不同质感、肌理相搭配,质感差异需大于等于3种。","id":""},{"type":"text","text":"下面就是单色搭配的例子","id":""},{"type":"text","text":",供大家参考。","id":""}],"text":"","id":"doxcn6AIQMYsWSasW4U3ov2bOnb"},{"type":"imageList","children":[,"attrs":{"height":450,"note":[{"type":"text","text":"单色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c3fafbddb36a4249b121a75295850f92","width":300},"text":"","id":"doxcn6uCSSgUuYqQcsbYPljp4hf"},,"attrs":{"height":413,"note":[{"type":"text","text":"单色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/9206ed19d7f346e0886ffa4305a08b44","width":300},"text":"","id":"doxcn8wYi4OIUGmgWaQFizvtOWb"}],"text":"","id":"doxcniYAoyOuswmQs2D3goHapKd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"二色配色","id":""}],"text":"","id":"doxcniYAoyOuswmQs2D3goHapKd"},{"type":"paragraph","children":[{"type":"text","text":"二色配色能形成层次感,它是生活中最常见的配色方法。","id":""}],"text":"","id":"doxcnEYa6eCwasWciI79vVn2Orf"},{"type":"paragraph","children":[{"type":"text","text":"二色配色主要通过明度、色相、纯度这3种色彩属性的变化来实现。","id":""}],"text":"","id":"doxcnomUoCgSKeqkUEHH1ARbtje"},{"type":"paragraph","children":[{"type":"text","text":"在二色构成的服装中,通过运用明度对比,可以使亮色更亮,暗色更暗,使服装与附件之间、上下装之间、内外装之间构成明快、活跃的气氛。由于色彩对比存在着轻、重,软、硬,冷、暖等变化,所以赋予人以忧郁、沉稳、质朴、兴奋等各种感情色彩。","id":""}],"text":"","id":"doxcnMguKeAw6UKA2Y72LXYzJwb"},{"type":"paragraph","children":[{"type":"text","text":"运用色相对比,常构成色彩的冷暖对比。比如红色与蓝色相配时,红的更红,更偏暖;而蓝的更蓝,更偏冷,这是非常明显的冷暖对比调。而黄色与红色相配时,黄色有带橘色的感觉,形成暖调;但黄色与蓝色相配时,则形成冷暖对比调。","id":""}],"text":"","id":"doxcn6Gi02uysmWUci4GZmPw3rg"},{"type":"paragraph","children":[{"type":"text","text":"在运用色相对比时,色彩面积大小直接影响色调倾向,可采用大面积冷(暖)色与小面积暖(冷)进行组合。","id":""}],"text":"","id":"doxcneys86m6oY64S6xRQ3aNnYe"},,"attrs":{"height":613,"note":[{"type":"text","text":"二色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/807bb822d2604f3bae251c7d8d8d1de6","width":458},"text":"","id":"doxcn4WiOiq6AAa4G618osJpELd"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnao4SYCuaQISgSmFsGrWTgf"},{"type":"paragraph","children":[{"type":"text","text":"纯度间的配色是以色彩纯度变化为主的鲜色调,含灰色调。灰色调的服装色彩的组合形式,其实就是在两种色彩中混入相同的灰色或黑色,使对比色彩具有柔和效果。","id":""}],"text":"","id":"doxcnsayEI6WMa6CqsTaIA0G0te"},,"attrs":{"height":370,"note":[{"type":"text","text":"二色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/40ea13a135914436925d9c5619f265e1","width":554},"text":"","id":"doxcniIcQyGoEAcMSorfVh5Tb9c"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnKAm0g6miGEYokLGFc6ws6c"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"多色配色","id":""}],"text":"","id":"doxcn4gCeOGymUIiMAxn8BISY0e"},{"type":"paragraph","children":[{"type":"text","text":"在服装的整体色彩组合关系中,包括了诸多的因素,内衣、外套、下装、配件、首饰等,它们各有其不同的色彩特征。多色配色方法就是运用谐调、统一的原理,使不同的色彩组合在一个统一体中。","id":""}],"text":"","id":"doxcnsU48iI6aYq8WDyFW3NR0yA"},{"type":"paragraph","children":[{"type":"text","text":"多色配色最关键的是抓住主色调。抓住主色调好比抓住一首乐曲的主旋律,设置一个最大面积的大色块或几个相同色块,然后适当配置小面积的辅助色、点缀色、调和色等,这样既突出了重点,强调了色调,又显得丰富多彩。此外,也不应忽视色彩与色彩之间的内在联系,这种联系从色调角度来考虑可以归纳为以下4种∶","id":""}],"text":"","id":"doxcnemyS0GagIkucuogoi6NQVg"},{"type":"paragraph","children":[{"type":"text","text":"1.明亮、浅色组合。适当配置少量深色或艳色,比如米黄、棕黄、深褐色。","id":""}],"text":"","id":"doxcnwgsKcwAeAUkwa2b41YUx8e"},{"type":"paragraph","children":[{"type":"text","text":"2.暗色组合。在深色和黑色组合中适量加入少许浅色或艳色,比如深蓝、蓝黑、粉红色。","id":""}],"text":"","id":"doxcn22KaUcy2OkAoaCyO2Pf15d"},{"type":"paragraph","children":[{"type":"text","text":"3. 中间色组合。在灰色(含各种色彩)系列中,适当配以一些深色、浅色或艳色,比如蓝灰、烟灰和淡紫色。","id":""}],"text":"","id":"doxcnKSO0e86CSOS8Gi88Wi7cEe"},{"type":"paragraph","children":[{"type":"text","text":"4. 艳色组合。纯度高的色彩中掺入少量含灰或黑白灰色彩,比如大红、室石蓝、茶色。","id":""}],"text":"","id":"doxcnOEemySamcqugm6ks1xhjee"},{"type":"paragraph","children":[{"type":"text","text":"在选择色彩时,最好不要超过3种。","id":""}],"text":"","id":"doxcn0I8ow8ssOkmKgTXacAPtkg"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnyK4k8eUsoowCK4hac1GHgh"},{"type":"imageList","children":[,"attrs":{"height":610,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/283a8e1c16ab47e9bc8cb51a3e9776d6","width":338},"text":"","id":"doxcni8a6C0cEC2kik7JlU5JBZc"},,"attrs":{"height":625,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3bf027cac2694245a836788888b01b16","width":352},"text":"","id":"doxcnCqsIyqO2SQe2QtHOnZGkvd"},,"attrs":{"height":625,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3bf027cac2694245a836788888b01b16","width":352},"text":"","id":"doxcnCqsIyqO2SQe2QtHOnZGkvd"},,"attrs":{"height":619,"note":[{"type":"text","text":"多色配色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/152c74f61c7b42e1ad0ed1f52c505b90","width":346},"text":"","id":"doxcnuMuw0sYUo4GOgHfCurPIZc"}],"text":"","id":"doxcnwcoqeaGMAeGGWq8O5kIBwb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"类色和类似色","id":""}],"text":"","id":"doxcnwcoqeaGMAeGGWq8O5kIBwb"},{"type":"paragraph","children":[{"type":"text","text":"同类色与类似色看似相像,其实完全不同。","id":""}],"text":"","id":"doxcnsGCKY4MQKIeYEsQX2KQc2m"},{"type":"paragraph","children":[{"type":"text","text":"同类色就是其本来面貌都是相同的,只不过由于渐次加入黑、白、灰,形成了深浅不同的色彩。比如黄色就有浅黄、黄、中黄、深黄等,红色有粉红、红、大红、深红等,这些色彩都被冠之以同类色。同类色是最单纯、最朴实的色彩关系,在服装的色彩搭配中,利用其深浅明暗的变化进行组合,能够产生协调效果。当你选色没有把握时,可优先考虑这类色彩。","id":""}],"text":"","id":"doxcn4cisYqmo46ocgfd3xJKTPe"},,"attrs":{"height":638,"note":[{"type":"text","text":"类色和类似色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/40fef6c7ef8e4583a035bd0a90b84880","width":554},"text":"","id":"doxcnkYs0uwGCwwcmcTyJppII9g"},{"type":"paragraph","children":[{"type":"text","text":"色彩相貌相似的色彩被称为是类似色,好比双胞胎兄弟,不过是一种色彩,由于各自含有不同的色彩成分而产生了变化。比如红色,分别掺入适量的黄色和橘色,就形成橘黄色和橘红色,这两种色彩就是类似色,它们分别含有红色这个“基因”。其他如黄与绿、青与绿、青与紫都是类似色。","id":""}],"text":"","id":"doxcnOUucamieeWkWiA56JuGKje"},{"type":"paragraph","children":[{"type":"text","text":"类似色的搭配效果是很柔和的,它没有强烈的对比味,所以极易搭配并很协调。","id":""}],"text":"","id":"doxcnISCioYA2SYiY0dHTR4xTM2"},,"attrs":{"height":628,"note":[{"type":"text","text":"类色和类似色","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/c24e4e2a640a4639add4790f37cca445","width":554},"text":"","id":"doxcncOqaESAAmmQSiMrNHGy2Kb"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnAcoeEKquimsQCkcbPJKC3c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"着装技巧","id":""}],"text":"","id":"doxcneUIwKUwQgkm8oVM1oVcyVh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"身","id":""},{"type":"text","text":"型扬长避短","id":""}],"text":"","id":"doxcniqWikyiawes28g9lPcZNBv"},{"type":"paragraph","children":[{"type":"text","text":"根据身型特点选择款式,扬长避短也是搭配很重要的作用哦。不用减肥也能有显瘦显高。","id":""}],"text":"","id":"doxcnoaG60EK22M2a40MjKbjcHb"},{"type":"paragraph","children":[{"type":"text","text":"T型身材","id":""}],"text":"","id":"doxcn48a6QysKIQW4RfnT38CUym"},{"type":"paragraph","children":[{"type":"text","text":" 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","id":""}],"text":"","id":"doxcn0OWkCUWCsu0WoVsOUm7cGb"},,"attrs":{"height":369,"note":[{"type":"text","text":"款式的搭配","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/39242a58172e4904a87a89eaf7c38ccf","width":554},"text":"","id":"doxcnGEwGmIuymck0oHdUVkshje"},{"type":"paragraph","children":[{"type":"text","text":"风衣+牛仔裤","id":""}],"text":"","id":"doxcncwUWIWiuCQykCETizyNVec"},{"type":"paragraph","children":[{"type":"text","text":"春季衣橱里一定要有一件风衣,无论是卡其色、驼色、黑色都可以,这样经典的单品怎么穿都挺有范的。风衣搭配牛仔裤,不太挑人,只要我们选择适合自己的风衣服款式就OK了。小个子女生建议选择H型的中长款风衣,不拖杳,利落简洁,显高显瘦,搭配直筒牛仔裤,简约而大气。高个子女生不妨试试廓形的长款风衣,搭配铅笔牛仔裤,走路带风的洒脱感,特别有范。","id":""}],"text":"","id":"doxcnOqUQI4Mguec0OuGxfEmOkd"},{"type":"paragraph","children":[{"type":"text","text":" 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,初秋和晚秋的天气不同,所以整体搭配就会不一样。","id":""}],"text":"","id":"doxcnUyGskkUyeQa0MT7FUGUsPg"},{"type":"paragraph","children":[{"type":"text","text":"初秋不算太冷,一个衬衫外套就可以解决。","id":""}],"text":"","id":"doxcn0wwYcwSSE6owA7huhhc9Zg"},{"type":"paragraph","children":[{"type":"text","text":"晚秋偏凉,就需要穿上一些厚重的衣裳。","id":""}],"text":"","id":"doxcnSqoUUOaUC2mUopuWNYTCNg"},{"type":"imageList","children":[,"attrs":{"height":544,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/6aa6b4a1ba85450e90bfb4be03e3c51a","width":544},"text":"","id":"doxcneI2Ug0cCIYII4lxYIVS3Mg"},,"attrs":{"height":542,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/d6fd1c849935494e9ee28b15c4626e8c","width":532},"text":"","id":"doxcnsosE4QGOgm2UEf5eQYoH9b"}],"text":"","id":"doxcnASu2iOiYSEq2iewJCY5tWg"},{"type":"paragraph","children":[{"type":"text","text":"叠穿效果也是不错的","id":""}],"text":"","id":"doxcnASu2iOiYSEq2iewJCY5tWg"},,"attrs":{"height":381,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/bc1de3b4d3be49f3a9b7d5d388a05c2d","width":659},"text":"","id":"doxcnU2kSEuQOI6oUUDpxsT1F9d"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"还有一种穿搭技巧是“上长下短”","id":""}],"text":"","id":"doxcnEiaQCWgOMKaMofr9TW6B9f"},{"type":"paragraph","children":[{"type":"text","text":"这种穿法适合初秋和春天,不仅不会显得过于「浮夸」,也更容易突出男生的「T型」身材,在视觉上更显挺拔,有活力。","id":""}],"text":"","id":"doxcnK8u6sKOQwwQEY77hmG2L6e"},,"attrs":{"height":333,"note":[{"type":"text","text":"春秋季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/5955eab1f7074f79bc85a71b2ba39d80","width":657},"text":"","id":"doxcn2eOqsMGKaiEoC4BsoEFxSe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"冬季","id":""}],"text":"","id":"doxcnkEWYuAICO8kEaIvasYBJcb"},{"type":"paragraph","children":[{"type":"text","text":"冬天男生该怎么穿,才能兼顾风度和温度呢?对于男生来说,冬天最想买的衣服想必就是大衣了,既保暖,又很有风度,搭配一件百搭的白色针织衫,再搭配一条牛仔裤,时尚又帅气。","id":""}],"text":"","id":"doxcnM4sG6KseOIcESOzO9T3IRh"},,"attrs":{"height":459,"note":[{"type":"text","text":"冬季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3cb7824448c149008d9e22297ac60fb5","width":595},"text":"","id":"doxcnE6iAsswoeMY6YZFLCZYiMh"},{"type":"paragraph","children":[{"type":"text","text":"冬天穿羽绒服是最暖和的,那些呢子外套、加厚棉衣也都没有羽绒服暖和。北方的冬天可不要小看,就算那些再喜欢讲究风度、不讲究温度的男生和女生,恐怕也要入手买一件羽绒服。外面穿着一件羽绒服,里面穿一件不太厚的毛衣或者衬衣,下面配上一条工装裤,即看不出臃肿也显得时尚!心动不如行动,没有买羽绒服的就抓紧吧!","id":""}],"text":"","id":"doxcnUmUmMuEw4koGg7oJYkDDNh"},,"attrs":{"height":622,"note":[{"type":"text","text":"冬季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/95a0bf32011e4e19b36001ddeae92329","width":500},"text":"","id":"doxcney4Y6kem0S0SWEzPmwPeQg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"夏季","id":""}],"text":"","id":"doxcnGKGwOaEsMeaSYZ9bgUXJGd"},{"type":"paragraph","children":[{"type":"text","text":"男生夏季穿搭可以选择衬衣加短裤,另外条纹的polo衫显瘦能遮掩些身材的缺点,对于矮个子的男生则要注意上下装对比不要太悬殊。","id":""}],"text":"","id":"doxcncYmyO40YMKWEK2mBmbpUpd"},{"type":"paragraph","children":[{"type":"text","text":"衬衣是许多男士衣橱的必备穿搭单品。西装衬衫是再经典不过的穿搭,其实衬衣也可不搭配西装裤而选择搭配短裤,搭配短裤会让男生更显成熟。如果不喜欢简单单调的白衬衣可以选择花衬衣或者是白色衬衣当中带点图案的衬衣,这样的衬衣就比较有个性,而且穿起来会更加的年轻不死板。","id":""}],"text":"","id":"doxcnMSei0OAwOG0iMv372ldXKh"},,"attrs":{"height":532,"note":[{"type":"text","text":"夏季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/f8fa0cbd8cdc43b098ef8e829a6ab2e8","width":383},"text":"","id":"doxcnqU2GMOwIK4CU0MYNG6vche"},{"type":"paragraph","children":[{"type":"text","text":" ","id":""}],"text":"","id":"doxcnm4KUKU4K0Gkesl6OaF9CMb"},{"type":"imageList","children":[,"attrs":{"height":473,"note":[{"type":"text","text":"夏季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8c855cbfd4094dfe94ef569af167b4ff","width":612},"text":"","id":"doxcnAEQI2equGwioIB1J6hnYZb"},,"attrs":{"height":400,"note":[{"type":"text","text":"夏季","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/afce242f8b0a4377bf667c484cbe8e41","width":320},"text":"","id":"doxcnUQmgsQQkOs6q2ntq4bgCEc"}],"text":"","id":"doxcnuUKocOoIgAEi2fnCeyY0xg"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"着装配色","id":""}],"text":"","id":"doxcnuUKocOoIgAEi2fnCeyY0xg"},{"type":"paragraph","children":[{"type":"text","text":"为什么同一件衣服别人穿很好看,你穿却差点感觉,那可能是你颜色没搭对。搭对颜色可以让你穿衣事半功倍。","id":""}],"text":"","id":"doxcnuoyI2aKmAka0kiGI5J7c7Y"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"颜色呼应原则","id":""}],"text":"","id":"doxcna0QqocKG8yK2iG27z38eJd"},{"type":"paragraph","children":[{"type":"text","text":"衣服配饰不呼应,分区明显不呼应。任选两区同色系,颜色呼应更帅气。","id":""}],"text":"","id":"doxcnI86c6648ysI4K6W0ZXbKRg"},,"attrs":{"height":1280,"note":[{"type":"text","text":"颜色呼应原则","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/a7d226744a1f4c58b7e1537c5328ad7e","width":1280},"text":"","id":"doxcneISWAUmy28G2GO28bBQtUe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"同色过渡原则","id":""}],"text":"","id":"doxcn82CaqgeQAIukSWLsL63UBf"},{"type":"paragraph","children":[{"type":"text","text":"衣服裤子相同色,层次单一很失策。加件打底漏下摆,颜色过渡很出彩。","id":""}],"text":"","id":"doxcnGsQO2qciiq4MOWg03camZg"},,"attrs":{"height":1280,"note":[{"type":"text","text":"同色过渡原则","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/3536def96011477a84209d66fedc176e","width":1280},"text":"","id":"doxcneKwA8akykIEmmlqmGY0ZqZ"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"不超三色原则","id":""}],"text":"","id":"doxcnYGCqSwgqoMOCmaZRVRlaZc"},{"type":"paragraph","children":[{"type":"text","text":"衣服杂乱配色多,不好看是你的锅。颜色不要超3种,穿搭这块你最懂。","id":""}],"text":"","id":"doxcnY02ouqSQWYk0XZgh7L2gCY"},,"attrs":{"height":1280,"note":[{"type":"text","text":"不超三色原则","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/94afae695ccf4168bc4cc99ba2b680b7","width":1280},"text":"","id":"doxcnqE2S2ywAe6I2GM1fQrAREg"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"doxcnaqyAY6sAKOkmQZDO9I4jjf"}]%3C%2Fhowto_content%3E

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